Author: Loyd Harp

As you’ve undoubtedly already read elsewhere, and seen all over the chrindie corner of the internet, Michael Knott died earlier this week. Much has been written about the man, the music, the iconic artist, so I don’t intend to re-tread any of that ground here. This is a Song of the Day post after all. Nonetheless it does seem fitting to use this week’s SOTD column to feature more of Knott’s work. He wrote and recorded so many incredible albums from the 1980s through the 2020s that it’s hard to pick a “best” or even a “favorite.”… Continued →

The world of Christian music has lost a true icon. Michael Knott was confirmed dead yesterday, March 12th. Knott was a true pioneer in independent Christian music, leading a plethora of bands, dabbling in multiple genres, engaging prolific solo work, in addition to being a visual artist. Starting in the 1980s, Knott joined existing band Lifesavors, a Southern California power pop/new wave band, but later took leadership of the band. Initially Knott continued the new wave direction, but things took a darker shade in 1987 when he rebranded the outfit LifeSavers Underground and released one of the most influential album our scene ever produced, Shaded Pain.… Continued →

While much of the music we cover here has its origins–or at least its influence–in the music scenes that developed in the 80s and 90s, there was independent Christian music long before that. I won’t get on that soapbox once again, as I’ve written about it multiple times elsewhere. All I’ll add for now is that there was some incredible and influential faith-oriented music in the 1970s. One such act was Louisville-based quartet Kristyl. The band only released one album, 1975’s eponymous full-length, and then disappeared.… Continued →

Join Newselph and Illect Recordings for a free listening party to celebrate If It Ain’t Broke, Remix It (vinyl & digital). Come along to listen to the music with the artist and chat about the making of the album. If It Ain’t Broke, Don’t Fix It features an incredibly lengthy list of collaborations including K.I.N.E.T.I.C., Sareem Poems, Sivion, Rel McCoy, Ozay Moore and many others. Follow the link below to RSVP: https://illect.bandcamp.com/merch/if-it-aint-broke-remix-it-listening-party… Continued →

While German metal band Chryztyne may have formed in 1990, their sound is pure 80s! Traditional heavy metal with touches of glam/melodic metal abound in their material. The band formed in Karlsruhe in SW Germany in 1990, and released a 5-song demo cassette in 1992. Shortly thereafter, they signed with Pila Music, one of the larger Christian music labels from their home country. Their one and only full-length Tales of Paradise released in 1993 on the label, and featured 11 tracks of pure 80s metal. This, of course, proves the rule that although heavy metal had gone by the wayside–in the wake of grunge and alternative rock–in the United States, it was alive and well in other parts of the world, particularly in Europe.… Continued →

Texas-based indie rocker Daniel Markham is set to release a new full-length on April 5th, entitled Just Like a Dream. It will be released independently of a record label, as is his standard fare. The new material will add a heavy dose of power pop to his twangy alternative rock sound. He’s also released a super-fun new video for the lead single “Big Star,” a title which is surely a nod to the power pop greats themselves.… Continued →

Caustic Eminence was a raw, fast, hardcore punk band from Marion, IN. The band formed when they met as students at Indiana Wesleyan University. They released 2 demo cassettes before issuing the fabulous Another Day, Another Dollar 7″ through Cling Recordings in 1996. Not much else is known about the band other than their recorded output. Their take on punk was fast and furious, raw and lo-fi, contrary to the gamut of pop-punk bands that were popular at the time, which were moving towards more sophisticated sounds and production techniques.… Continued →

I had fully intended to cover something punk today, when I began listening to some old traditional Gospel for a project at work (I’m an associate pastor at a diverse, inner-city church). I was reminded of a Gospel song I first heard in the early 1990s when I was a member of a Gospel choir at my college. Yes, little ol’ white boy me, metalhead/punk rocker. In fact at one point in time I had a 4-inch mohawk while I was in this Gospel choir, but I digress.… Continued →

Impending Doom just confirmed to appear at Audiofeed this year! The announcement couldn’t come at a better time, as it is clear that heavy music is going to be featured prominently at the fest. For more information, check out the festival website: https://audiofeedfestival.com. While there, be sure to check out their social media links, which are updated more frequently than the website.… Continued →

Unwed Sailor announce the release of a new album. Entitled “Underwater Over There”, the album is available to pre-order! You can pre-order the album now on at the band’s official online store (https://unwedsailorstore.com), and on their Bandcamp page (https://unwedsailor.bandcamp.com/album/underwater-over-there). Be sure to watch the video for the first single “Final Feather” on Youtube, and you can also stream “Final Feather” on the streaming service of your choice.… Continued →

Blonde bombshell Windy Lyre appeared seemingly out of nowhere in 1991 with her self-titled debut on Blonde Vinyl Records. Truth be told her connections to alternative Christian music ran deep, but on a personal level, which is not appropriate to go into here. The album was a refreshing display of acoustic alternative, which hinted at folk rock, jangle pop, and in a way preceded the dream pop/alt country craze that swept the middle part of the 1990s and beyond. Lyrics and music were all written by label owner Michael Knott (LSU, Lifesavers, Aunt Bettys, etc.)… Continued →

World Theatre released only one album, the brilliant eponymous full-length, for Frontline-imprint Graceland Records in 1989. But the band’s credentials are deeper than that might suggest. Founder Tim McAllister (vocals, guitar, bass, programming) had previously been in another one-album-only new wave band called Flock 14. Jim Abegg (AKA Jimmy A, from Vector and more recently The Ascendants) provided some guitar work. Gene Eugene (Adam Again, Lost Dogs, hundreds of production and studio credits) mixed the album. And piano and keyboards (along with some additional bass guitar work) were provided by none other than Cincinnati’s own Linford Detweiler (this was pre-Over the Rhine).… Continued →

Endless Sacrifice is a brutal death metal band from Argentina. The project formed in 2009, and has only had one constant member–Diego Barrera on vocals, guitar and songwriting duties. Carlos from Antidemon has provided guest vocals occasionally as well. With only one constant member, the ‘band’ has more or less remained a studio project. Nonetheless, add Endless Sacrifice to the long list of quality, brutally heavy bands from South America. Their debut, Dominio Total was released in 2016 on two different Latin American independent labels: Bolivia’s Vampire Records and Mexico’s Warriors Records before finally seeing a U.S.… Continued →

Melk the G6-49 was a two-man noise rock/math rock band from Indianapolis, and spearheaded by Joyful Noise Recordings founder/owner Karl Hofstetter. The band was entirely instrumental, yet reflected biblical themes in its song titles and album titles. Their debut is based around the “writing on the wall” story from Daniel chapter 5. Having said that, it’s not clear the band’s (nor label’s) current take on faith, despite early recordings being inspired by and/or dedicated to it. The band was active in recording from 2001 – 2004 and then went quiet until releasing a 7″ in 2022, so here’s hoping that means the band will kick back up.… Continued →

Tonio K. was one of those hard-to-classify artists. He employed elements of rock, alternative, new wave, singer-songwriter, and more. He was too alternative for the mainstream, but not quite weird enough for indie rock. Let’s just call it rock and roll, shall we? Born in Southern California, the son of Armenian immigrants (born Steven Krikorian), K began his career with garage rock band The Raik’s Progress (who opened for Buffalo Springfield), then played a stint with Buddy Holly’s band the Crickets, but he got his first real break with a publishing deal for Intersong.… Continued →

The folks at Thumper Punk Records have released a new compilation featuring a staggering 21 tracks! The comp’s contributions range from unsigned/unheard of bands to the mighty prolific, and include multiple subgenres from folk-punk to pop-punk to hardcore and even black metal. Best of all, all proceeds go towards the Valley Churches Together Food Pantry project based in Santa Cruz, California! Download and support the project here: https://thumperpunkrecords.bandcamp.com/album/valley-churches-united-food-pantry-benefit-compilation… Continued →

While the alternative rock revolution was exploding all over the 90s, another musical genre was becoming ever more expansive in the same decade–electronica. Faith-based artists were pursuing new subgenres from house to techno/rave to EBM and lots of other styles. One pioneering artist in the house genre was Rhythm Saints, comprised of husband Stephen Nixon and wife Lee-Jane Nixon. Although Stephen was British born, the couple were based in Los Angeles, whence their inspiration for this track emerges. While most of the album channeled house and progressive house sounds, this track (incidentally the only one I could find from their debut via YouTube) dabbles pleasantly in ambient as well.… Continued →

This band from Southern California was one of the first wave of bands who set the foundation for what was known as “Spirit-filled hardcore.” A wave which also included Focused, Strongarm, Six Feet Deep and a handful of others, many of which remained unsigned. The scene was characterized by ‘new school’ or ‘chugga chugga’ or metallic hardcore of the early to mid-90s, combined with lyrics that were bold and unapologetic about faith issues. The first time I heard Unashamed was actually a live show as they were the opening band at the first Tooth and Nail Weekend in 1994, a mini-fest at the Where-House in Bartlesville, OK featuring all Tooth and Nail bands (also on the bill were Focused, Chatterbox, Plankeye, Starflyer 59 and Wish for Eden who sadly had to cancel due to a broken down van).… Continued →

My favorite Christmas songs tend to be the traditional carols. Sure, I love a good cheesy secular holiday tune every now and then (“Let it Snow” anyone?), but I find the deep theology of the carols to be particularly meaningful, and therefore apropos for the season. Having said that, there are also some wonderful contemporary renderings of the traditional tunes. Viva Voce was an indie rock band, centered on wife-husband duo Anita and Kevin Robinson. Originally from Alabama, they transplanted to Portland, OR somewhere along their musical (and geographical) journey.… Continued →

This band has been around since the 90s, maybe even the late 80s, making brilliant folk/pop/rock/blues/adult alternative/whatever type music. They’re the sort of band that other musicians love to love. The core of the band is husband-wife duo Linford Detweiler on piano and Karin Bergquist on vocals. The rest of the band has been a revolving cast, and in the half-dozen times I’ve seen them live, roughly half of those have featured just the pair. They’ve always danced around the edge of whatever “Christian music” means, always dropping hints about their faith, but simultaneously distancing themselves from the industrial machinations of the Christian music industry.… Continued →

What does black metal have to do with Christianity? I caught up with Asaph and PATHØS of Indiana’s own Symphony of Heaven to find out. IVM: You guys have been playing this style of music for a few years now. How did you get into black metal (or extreme metal in general) and what led you to want to play music in this style? Asaph: So my answer to this is a bit of a journey. I started the metal journey really with Living Sacrifice, which the early stuff would be considered extreme metal.… Continued →

Lightforce was a heavy metal band from Australia, active in the late 1980s. They recorded 3 cassette demos from 1986-87, before getting the attention of US-based Pure Metal Records. The band’s label debut Mystical Thieves was a unique entry in Christian metal. While based in traditional heavy metal, it touched on speed metal and power metal without ever fully crossing into thrash territory. It was heavy, loud, and raw. In 1990 the band recorded a fourth and final demo called Break the Curse, which saw the band going in an even heavier direction, just before changing their name.… Continued →

Poor Old Lu are/were one of the most celebrated alternative rock bands in the Christian scene. They hit at the height of the Christian indie scene in the 1990s, and formed a core unit of alternative rock bands that included The Prayer Chain, Plankeye, Starflyer 59 and a handful of others. Hailing from the Seattle area, the band also had close ties with others in the scene like Pedro the Lion, Damien Jurado, Blenderhead, and even Sunny Day Real Estate (vocalist Jeremy Enigk provided guest vocals on one POL track).… Continued →

Brazilian death metallers Krig have been making Christ-centered metal since 2007. The band formed in their native Belo Horizonte in southeastern Brazil, and release their technical and brutal Feed Me independently in 2007. They proceeded to release three more albums across the next 6 years, culminating in some of the strongest Christian metal by any band from any continent, and especially from their home country. Some members have since relocated to Canada, making it difficult to keep creating music as a whole. But members have been involved in other projects as well.… Continued →

Cast in Stone was a hardcore band from California, who recorded their first cassette demo in 1998. Their early material was that old school meets new school subgenre sometimes called “tough guy hardcore.” It’s no surprise then that some of the members also did stints in Sleeping Giant, xDEATHSTARx, mainstream Bleeding Through, Point of Recognition and hardcore supergroup Dodgin’ Bullets. They recorded an EP for indie Warfare Records in 2000, a 3-way split release with Point of Recognition and Torn in Two for Facedown in 2001, and then a final cassette demo in 2001.… Continued →

Early Christian rap is a thing of beauty. Similarly to mainstream rap, early examples–though they give insight to the development of the genre–often suffer from simplistic lyrics, weak production, and/or rapping styles that are now outdated and sound lazy by today’s standards. However, we must remember that the genre took decades to develop. In fact, the early 90s were a tough era for the style. It had started to become mainstream and risked disappearing into a subgenre of pop music until it was rescued by gangsta rap and alternative rap a few years later, pushing the genre to new styles and heights, though not without controversy.… Continued →

This punk rock supergroup features ex-members of Crux, Empty Tomb, Cicero, and Gov’t Hate Mail. So you can see why I was excited about hearing this disc. The EP contains 7 songs, clocks in around 17 minutes, and comes as a pro-CDr in a standard jewel case with a single panel insert with credits and no lyrics. Musically what we have here is no frills punk rock and roll. It’s not quite as spastic as Crux, and doesn’t have the hardcore/thrash leanings of Empty Tomb. When comparing to its members previous projects, it’s probably closest to Gov’t Hate Mail, but just slightly heavier than that project.… Continued →

This punk/new wave band from Alaska released one 4-song EP via 7″ vinyl in 1980, entitled Beat the Cynics for their native Unregulated Records. The band was contemporary with other punk acts at the time who had already started shifting their sound to either new wave or post-punk. The Cynics don’t sound too far off from The Buzzcocks, The Clash, The Stranglers, and at times is reminiscent of the funky approach of Ian Dury and the Blockheads. Yes, their sound is remarkably British, considering how far they were geographically from that region.… Continued →

Lugsole was a noisy indie rock band from Birmingham AL with hints of post-punk and emo in their sound. Despite a significant number of releases–both independent and label-issued–they remained a fairly obscure act, whose fans were either music critics or diehard independent music aficionados. Recorded output begins in 1995 and ends in 1998, and in those four short years, they managed to release three cassette demos (two EPs and one full-length), a split 7″ with Dear Ephesus, an EP on compact disc via Daddy-O Records (who also released the first Dear Ephesus recordings), and a 3-way split CD with mainstream acts The Paper Chase and E-Class.… Continued →

One of the larger, more legendary cyphers in Christian hip-hop, L.A. Symphony came to us from where else but Los Angeles. They emerged in the late 90s with a few 12″ singles and a full-length album on member Flynn Adam Atkins’ own independent label Eartube Empire, via which Flynn had also released a full-length solo album earlier. The group’s breakthrough came in the form of 2003’s The End is Now for Gotee Records. I had the privilege of booking/hosting the group for a youth event in Atlanta in the mid-2000s.… Continued →