Author: Loyd Harp

Our feature today comes from two brothers who started making music in their teens, first as a new wave/post-punk band called Morella’s Forest (no, not that one), and then an immensely quirky synth-pop group called Dance House Children, before parting ways and forming two of the most legendary, creative, and prolific Chrindie groups ever–Joy Electric and Starflyer 59. Yes, we are talking about none other and Ronnie and Jason Martin. In the early 1990s an independent label emerged (technically started much earlier but with very limited distribution) called Blonde Vinyl.… Continued →

This band had the glammy looks and the flashy hooks, but their sound was heavier than the stereotypes led us to believe. Riding the line between glam metal and traditional heavy metal/power metal, the band played loud, melodic tunes with lots and lots of riffs. Hailing from Hollywood, California, the band came by their glam tendencies honestly. But listen to the riffs on “The Killer.” You won’t hear anything that heavy from Poison or Def Leppard. The band released a pair of cassette demos in 1988 and their only full-length album World Requiem in 1990 before calling it quits, with drummer Scott Ernest joining the ranks of another famed Christian melodic metal band, Angelica.… Continued →

90s goth rock band Wedding Party have recently announced their re-formation. A new album is coming out this month! Pre-orders and digital downloads for the album, entitled “White Horse”, are available now. Fans can purchase at the band’s website here: https://weddingpartyofficial.com or through their official Bandcamp page here: https://weddingpartyofficial.bandcamp.com/album/white-horse Physical orders will start shipping out September 28th, 2023, limited to the USA only at this time.… Continued →

Jeremy Alan Gould has done it again! His regular podcast “The Rumors Are True” recently featured Russell Holbrook of Joe Christmas and World Against World. In the episode, there’s real talk of a possible Joe Christmas reunion. Check out the episode here: Russell Holbrook interview at The Rumors Are True… Continued →

Let me get my opinion out of the way right off the bat–there is not enough good, quality Christian doom metal. The list gets even shorter when it’s as unique and well-executed as this track is. Memorium is the braindchild of Duane Keith, label-owner and -founder at Vision of God Records and its subsidiary, Christian Metal Underground. The band is just a two-piece: Duane on drums and vocals and Mike Shinn on bass and guitar. Sadly the band is currently on hiatus. “A New Dawn” comes from a 3-way split with The Arbiter (from Hungary), and Lucifer’s Doom (from Brazil).… Continued →

This album came out last October, but I was only recently made aware of it when guitarist/vocalist Craig Phillips reached out for coverage, just before moving to Eurasia to work overseas. Although released on Roxx Records, Where the Wondering Got Us is a distinct departure from the label’s usual heavy metal roster. On the contrary, Puddleglum have a sound that revels in reminiscence of the 1990s. It’s what one might call ‘slacker rock.’ It’s fairly simplistic alternative rock, or maybe just rock and roll. The songs, musically speaking, feel lazy though not necessarily in a bad way.… Continued →

Post-rock supergroup Unwed Sailor (featuring ex-members of Roadside Monument, Mr Bishops Fist, Norma Jean, Eso-Charis, Living Sacrifice, etc.) have announced a tour through the western half of the United States. Tickets can be found here: https://www.bandsintown.com/a/6744… Continued →

Independent Christian music lost another legend recently. Jimmy Hotz (inventor/producer/solo artist/band member/producer/engineer/electronic music pioneer/author/multi-instrumentalist–and we’re not even exaggerating) died in June. Hotz first recorded in CCM in the 1970s with the group Dove, and then a handful of other mostly CCM artists before recording his solo album–and many would say his magnum opus–Beyond the Crystal Sea, released in 1980 on Oklahoma City-based Vision Records. Fortunately for fans, Born Twice (a division of Retroactive/Boone’s Overstock) re-issued the album in 2010. Hotz wasn’t content to release one of the greatest Christian rock albums of all time (this claim is verifiable too, repeatedly making appearances in all-time lists from reputable sources like HM, CCM, and various others).… Continued →

The Empty North is a new rock band that focuses on a sound straight out of the 1990s–grunge/alternative rock with an independent aesthetic. While the recording took place in Juneau AK, the band is comprised of members from Juneau, Portland OR, and Chicago IL. There are two tracks available for streaming now, and another will be available for streaming in a week or so. There are also split releases in the works with The Proper English, Australia-based NoiseArt Collective, and Robochill. For now, check out “Appendage Angles,” a song based on the personal testimony of founding member Justin William Price (The Proper English, ex-Cicero).… Continued →

We don’t often ‘advertise’ or publicize other industry platforms, but in this case it’s appropriate. The Rumors Are True is a podcast that focuses heavily on the Christian indie/punk/alternative/whatever scene. Hosted by scene veteran Jeremy Alan Gould, the show has featured conversations with individuals connected to Exeter Flud, twothirtyeight, The Throes, Living Sacrifice, Norma Jean, Fine China, and the list goes on and on. Check it out on your favorite streaming platform, or follow one of the links here: The Rumors Are True Podcast… Continued →

This band released one devastatingly heavy album in 1999 for indie upstart Takehold Records, and then like so many other metalcore bands, disappeared after only one album and one split (with fellow-Floridians Set Apart) never to be heard from again. A few members turned up elsewhere–some in the mysterious metal band Yeti, while drummer Nathan Warshowsky served as a studio drum tech for artists as diverse as Forever Changed, Underoath, Day of Fire, and even Paramore. Deathmask Grin came out just as metalcore as a genre was really taking off, and it was a significant contribution to the genre musically, despite it being heard by so few people.… Continued →

I was listening to my old Live at the Strand CD recently. It’s a compilation of artists who played at the legendary Strand Theater in downtown Marietta, GA, just outside of Atlanta. It had been years since I heard the CD and only remembered a few of the tracks on there, and then this absolute banger came on! I looked through all of their albums to see which one it came from, so I could find the studio version to feature here, but I couldn’t find it.… Continued →

Alternative folk-pop trio Lies Damned Lies formed in Glasgow in the late 1980s. Alternately flirting with Scottish modern rock sounds (a la fellow Scots Simple Minds) or with literate folk stylings, the band had a lengthy career through the 1990s and into the 2000s, though they were fairly unknown this side of the pond. They were regulars at the UK’s Greenbelt Festival, and while their lyrics pointed to their Christian faith, several of their releases were on mainstream pop-rock record labels. “The Divine Image” comes to us from their 1993 full-length The Human Dress.… Continued →

Dallas rapper Sivion has a new record coming out in September, this time a collaboration with Malex. The LP version comes on a beautiful translucent red vinyl, and digital versions will be available too. Pre-orders for both are live now, as well as 3 songs ready for listening. https://illect.bandcamp.com/album/str8-shot… Continued →

This old-school punk rock band The Combat Junkies, hailed from North Carolina, and featured a classic hardcore punk sound mixed with hints of oi/streetpunk and new school punk. To be honest, I’m not sure why this band didn’t make it bigger than they did. Their raw yet appropriately produced sound would have appealed to fans of 7-10 Split, Squad Five-0, One-21 and the like, and yet they seemed to fly underneath the radar of most fans. The Combat Junkies released two full-length albums. The War Within came out in 2002 on Clumsy Records, and Fight or Die .… Continued →

NoiseArt Collective is essentially David Schmidt, an Australia-based experimental artist who creates “industrial-tinged synth rock with goth undertones.” From that base, he branches out, dabbling in various forms of experimental, electronic based rock music from extreme metal (synth-based) to noisy hip-hop to weirdo/freakout pop music. The project is incredibly prolific, releasing multiple albums per year. In fact, since the project’s genesis in 2017, they’ve released over 30 recordings, including one recording of Schmidt reading his own poetry. When a band has this much material, it’s hard to choose an appropriate introduction point for the new listener.… Continued →

California band Minor Rockstar just released a five song Wasted EP today through Thumper Punk Records. The band feature a style of rock-n-roll that blends 90s alternative with a touch of punk rock. Their debut single “Wasted” can be streamed at: https://youtu.be/IToO7F8X5gk The full release can also be streamed or downloaded via the Thumper Punk bandcamp page: https://thumperpunkrecords.bandcamp.com/album/wasted… Continued →

Everyone has their gateway. That first band or artist that got them into a particular style of music. I got into Christian rock in 1988, first hearing and enjoying artists like Petra and Russ Taff, and then quickly moving on to Jerusalem and Whitecross. But this band right here–Sacred Warrior–was my gateway to true Heavy Metal with a capital HM. They had no pop songs, no sleazy hooks or glammed-out looks, but their debut album Rebellion was full of heavy riffs, melodic (but not glam) vocals, and super-heavy and dark chord progressions.… Continued →

Warning: this is a perfect pop song. If you haven’t ever heard one, brace yourself. The simplicity of pop, yet the nuance of alternative music. Lyrics that long for something deeper, more meaningful in life, reflected in the writer’s interaction with art . . . Words that form a sentence Words that form a phrase In a poem, or a letter Could not convey the meaning Of what this man has done In a painting, on a canvas Bear in mind these guys wrote most of their debut album when they were still in high school.… Continued →

While I was first introduced to Sally Grayson formally in 2020, during the covid-quarantine era, it turns out that I had already heard versions of her music many years prior. She’d fronted Black Swift (based in Germany where Grayson transplanted) for a number of years, but long before that she was in Michigan-based (her native homeland) Standbye, an emo/indie rock band by whom I owned a CD. All that to say that while Sally’s name may not be familiar to the masses, she’s been making credible musical art for well over two decades now.… Continued →

Destroy Nate Allen is a fun, energetic band that mixes the simplicity and energy of punk rock with the acoustic sounds of folk, making for an interesting take on folk-punk. Quirky but sincere lyrics and vocal styles combine with straight-forward messages–usually on subjects other artists don’t want to touch–make for both a challenging and entertaining listen. Take “Boobie Bar” for instance. On the one hand it’s a crude song whose title I had to censor, just so it doesn’t get picked up by filters. On the other hand, the intent behind the song is just about as pure as it gets: Don’t go down to the boobie bar If you want a real relationship, you won’t get far Don’t go to that boogie bar The song comes from their 2012 album, With Our Powers Combined.… Continued →

Famed Jamaican reggae artist Lieutenant Stitchie already had a lengthy career as a dancehall reggae artist beginning in the late 1970s. His first album hit in 1987, and he released 7 full-length albums and nearly 50 singles (yes, 50!) all before becoming a Christian. As the story goes, he was on his way to perform in Montego Bay, but was injured in a car crash. Against the advice of doctors, he proceeded to perform anyway. After the show he was given a Gideon’s Bible and as a result of reading the Bible in his hotel room, he gave his life to the Lord.… Continued →

One of the few rockabilly bands in the Christian rock scene, This Train was even more rare in that they focused on more traditional rockabilly sounds, as opposed to its faster, punked-up cousin psychobilly, which was better represented in our scene (The Calicoes, Ruby Joe, Prophecy, Blaster the Rocketman). I’ve always found it curious how certain subgenres really catch on in faith circles (metalcore, metallic industrial, emo), while others go largely untouched (EBM, post-rock, folk-punk, etc.) Maybe someone could analyze that and write a PhD dissertation on it!… Continued →

Chicago posi-core band 2Minute Minor have released a new single. The old school hardcore song features lyrics about “mental health and struggling with the strength to push on.” Fans can download the track via Bandcamp here: https://2minuteminor.bandcamp.com/track/held-down-no-longer?from=fanpub_fnb_trk… Continued →

Ambient Theology was an (wait for it . . . ) ambient side-project from the people behind Virus and The Bubblebaby Experience. It wasn’t ambient in the Brian Eno elevator music sense–having a much more rhythmic feel to it–but it was ambient electronica nonetheless, perhaps more akin to the “ambient techno” genre. This project only released one self-titled album in 1995, although there were at least 5 other full-length albums released via the various other projects. Ambient Theology was an interesting concept. Since electronica is more often than not dominated by instrumental music (sans vocals), the ‘theology’ portion came in the form of well-written, deeply thought out devotionals.… Continued →

This thrash metal band hailed from Brazil in the region of Belford Roxo, just outside of Rio de Janeiro. They were active in the mid-90s, playing a form of thrash that was occasionally influenced by related styles like death metal, groove metal, and metalcore. They broke up in the late 90s and then re-formed in 2001, and have been active on and off. This video was posted in 2017, but I’m not aware of an accompanying album to go with it. Nonetheless, the band has had at least one full-length and one EP, both on the Brazilian indie label Força Eterna Records.… Continued →

This was one of those ‘one and done’ bands, meaning they only released one album as Lovelorn. However, they were connected directly and indirectly to a number of other projects. Vocalist Jayson Holmes had been in metalcore band Eso-Charis, and later formed The Handshake Murders (who mostly recorded on secular labels). Corey Putman (Eso-Charis, Norma Jean) and Arthur Green (Eso-Charis, Living Sacrifice) also made appearances on the album. The album is a wonderfully strange concoction of emo-core, hardcore, indie rock and math rock–almost like Roadside Monument meets Coalesce, but with bits of Karate thrown in just because.… Continued →

Titanic’s founder Bill Menchen has been active in the Christian metal scene since the 1980s, first with his band Redeemer, and later with a number of other metal-themed bands including Seventh Power, Menchen, Rev Seven, and perhaps his most well-known, Titanic. Although they formed in the 1990s, they still played traditional heavy metal without any hint of alternative, grunge, or punk, which were so prevalent in that decade. The only 90s influence in Titanic’s music was the updated sonics and production techniques, which added a lot more crunch to the guitar tones than what 80s metal was known for.… Continued →

It’s been a while since I’ve featured any industrial music, so this seems like a good time to remedy that. globalWAVEsystem has been around since the early 90s, playing a harsh form of electronic industrial or EBM. At times the music is danceable, but it had a much harsher, darker edge than Deitiphobia or November Commandment. Yet the songs were more structured than Mental Destruction or Blackhouse and there were never any guitars present. In fact, their niche take on the genre is probably what kept them from getting broader exposure and more fans than their counterparts in Mortal, Circle of Dust, and the aforementioned artists.… Continued →

Early 2000s emo, you gotta love it! One of the best, and painfully one of the most obscure in the genre was twothirtyeight (or sometimes 238). The band hailed from Pensacola, FL in the state’s panhandle. Florida seemed to be a haven for emo and hardcore during that era, and many of those bands ended up on Birmingham, AL’s Takehold Records, and then eventually on Tooth & Nail when they bought Takehold’s roster and much of its back-catalogue. Twothirtyeight played a style of emo that minimized the hardcore influence and instead delved into a deeply emotional form of indie rock, like secular counterparts in Braid, Cursive, or Christie Front Drive.… Continued →