Author: Loyd Harp

The best way I can describe Coolidge is as a sort of ‘prequel supergroup.’ All of the members are now well-known for their contributions to indie rock, though none of them were very well-known at the time, and Coolidge remains a fairly obscure blip on the map of alternative music. Formed in 1992, the band featured Damien Jurado on bass and vocals, David Bazan (Pedro the Lion, Headphones, Lo Tom) on drums, and Eben Haase (Blenderhead, Don’t Know) on guitar. They played an intense and unique form of emo-core that interweaved lo-fi indie rock into the mix.… Continued →

Haven was a heavy metal/power metal band from New Jersey active in the late 80s and early 90s. The band released two stellar full-length albums for R.E.X. and a third independent release that moved away from heavy metal into hard rock and alternative territory. Fans were often divided on Haven, particularly over the vocals. They were kind of a love ’em or hate ’em thing. Personally, I really enjoyed the unique style. There were enough similarities to Geoff Tate (Queensryche), Mike Lee (Barren Cross), or Bruce Dickinson (Iron Maiden) to draw comparisons, and yet there was a roughness to the high-pitched vocals that made them stand out.… Continued →

Honestly I think this is a song that only Half-Handed Cloud could write. Aside from the ever-present pop bliss is a song about a baby trying to reach shiny Christmas ornaments that are out of reach, and yet so desirable. But Ringhofer makes a point that only he could make, about humanity’s incessant need to grasp for shining things that are always slightly out of reach and that we really don’t need after all. Merry Christmas IVM friends–may you find the true joy of Christmas this year–the baby in the manger!… Continued →

This brilliant synth-pop band hailed from Sweden. They released one fantastic album in 1989, that hit the States the next year, then disappeared until 1994 when they re-surfaced–though just barely–with a Swedish-language album, that didn’t make much of an impact outside of their homeland. Their debut, the nearly-eponymous W.O.W., was beautiful, but sadly never got the attention it deserved. Recorded primarily in the synth-pop style, it also had hints of Europop and new wave. In short, it was too alternative to be mainstream pop or CCM, and too poppy to appeal to fans of alternative rock.… Continued →

Embraced was a short-lived hardcore band from Florida, active in the early 2000s. I was able to catch the band live a couple of times at local gigs and mini-festivals, and enjoyed their shows. I always liked their semi-melodic take on hardcore (I mean, they were from Florida, after all!) They were clearly playing HC, but with hints of emo and indie rock at times. Perhaps in a similar vein to Bloodshed, Beloved, and Underoath, but with their own take on it. The band only released one mini-album, the 7-song An Orchestrated Failure, in 2002 for Theory 8 Records (who also an album by The Goodbye Letter and an early split with Copeland and Pacifico, among others).… Continued →

I’ve never been a huge fan of pop-punk–just dabbled here and there–but darn it all if this isn’t a catchy tune! I popped this into the car CD player earlier this week, having not listened to it in years, and that opening tune was so ridiculously familiar! I think I must have heard it on a compilation somewhere too for me to remember it so well. Anyway, Olivia the Band was originally from Hawaii, but eventually relocated to San Diego. They released their self-titled debut in 2005 on Essential Records.… Continued →

Rap music in the early 90s was making huge breakthroughs into both mainstream pop music and Gospel music, all the while splintering into dozens of subgenres: gangsta rap, new jack swing, Miami bass, among the most prominent. Tulsa locals D.O.C., AKA Disciples of Christ were fluent in the Philadelphia-based new jack swing sound, a combination of hip-hop, urban contemporary pop, and R&B/soul sounds. Alton Hood and Kevin Harvey met in college before they knew the Lord. Having dabbled in the party lifestyle, and even in the occult, they turned their lives over to Christ through a miraculous intervention of God.… Continued →

The Awful Truth–the best band that (almost) never was! In the late 80s I was huge into King’s X and what would soon become known as the “Houston sound.” It was part progressive metal, part groove, part rock, and lots of harmonies thrown in. I’d started hearing about this new band (at the time) called The Awful Truth, who had recorded their debut album for mainstream Metal Blade Records, and sadly broke up before it even came out. In fact, by the time the album was released, two thirds of The Awful Truth had formed a new band with two other members, the now-legendary Galactic Cowboys, increasing that groovy-metallic Houston Sound to yet another band.… Continued →

I first discovered this band from Tim Henderson (Warlord/Mr Bishops Fist) one night as we were talking about obscure Christian bands from the past. Body and Soul was a one-off solo project from Daniel Amos keyboardist Rob Watson. Body and Soul released only one 7″ in 1983, and never did anything else. Side A featured “Something’s Going On Here,” which is a good song, but is more typical of 80s new wave/pop. It sounds like a track you’d hear in an 80s action comedy film, something akin to Adventures in Babysitting.… Continued →

Recon was a Christian metal band active in the late 80s and early 90s. They were one of the earliest true “power metal” bands in the Christian scene. They played a traditional form of heavy metal that was augmented and supplemented by progressive tendencies and tempos that sometimes approached speed metal. The band released a pair of cassette demos, first in 1989 and then 1990, and also had a song featured on the most excellent California Metal II compilation where I first heard the band. Vocalist Vett Roberts sang in a high-pitched operatic style not too unlike Jimmy Brown (Deliverance) or Geoff Tate (Queensryche), or possibly even a more musical version of King Diamond (Merciful Fate).… Continued →

Not much is known about this underground hip-hop crew. Their recorded output consists of two independent releases: a cassette demo from 1997, and a full-length CD in 2004 with the moniker shortened to simply “Remnant” (not to be confused with the indie rock band that eventually became Exeter Flud). It was in 1997 or 98 that my good friend Jay (AKA DJ Deikon) who was huge into underground holy hip-hop introduced me to them. I was immediately intrigued by their creative backing tracks and atypical lyrical flow.… Continued →

Contrary to what the band name suggests, They Sang as They Slew was not a metal or hardcore band, actually quite far from either. If you hear similarities to the indie rock of Luxury, it’s because half of the band came from Luxury while they were on a break from touring–namely guitarist Jamie Bozeman and bassist Chris Foley (both of whom are Orthodox priests in their day job). I hope some fans recognize the band name from the epic battle scene in Lord of the Rings (the book, not the movie).… Continued →

It’s so great to have Gary Murray and co. back to making music again after almost a decade of quietude. Gary had to retreat for a few years beginning in 2014 while taking care of aging parents and other personal matters. Monkeys & Spoons certainly reflects that solitude, as well as the grief of losing someone you’ve had close. While the album cover nearly depicts contents of jazz fusion or post-rock (both Koinonia and strangely, Talk Talk are evoked by the artwork), don’t be led astray there.… Continued →

If you’re of the opinion that only melodic music can be godly, then you might want to navigate your browser elsewhere. If, on the other hand, you see the possibility of the Spirit working and moving in the new, the avant garde, the experimental, and the downright weird, then Ganglia just might interest you. Sometimes stylized as GÅNGLÎÅ, this one-man project was started by David Smittcamp in Los Angeles in the late 1990s. He took the already experimental genre of grindcore (lightning-fast tempos and ultra-short songs fused into an extreme form of hardcore and metal), and flipped it on its head by utilizing only electronic instruments.… Continued →

I’m not surprised there was Christian punk and new wave already being made in the 1970s. Contrary to popular belief, believers have always found new and innovative ways to express their faith creatively. It’s the broader public of the faith community that is often slow to accept change, not the artists themselves. This is why I am, in fact, surprised that a Christian record label was publishing Christian punk in the 1970s. It seemed the church in the UK was more open to avant garde presentations of the Gospel than in the US.… Continued →

This 5-piece band from Norwalk, CA started as a metalcore band but morphed into something heavier and more technical with an interesting mix of death metal, grindcore, and the odd jazz passage. The band only released two demos. The first was a 5-song tape called “Soldiers of the Cross.” In 2006 they released their more known, somewhat ironically titled “Death Gospel” (Gospel set to death metal, get it?) cassette, featuring 4 songs. Then the band was never to be heard of again. However, just this year an independent secular metal label from Riverside has re-released the demo as a cassette-only release, with three bonus tracks.… Continued →

Some of you are going to hate me for including this (what?!? country music on IVM?!?) Others of you–maybe only a few–will recognize the importance this type of music played on the development of both rock and roll (which somewhat ironically owes a huge debt to country music), as well as to contemporary forms of Christian music, because of the strong relationship between country music and Gospel music in the middle part of the last century. Brothers Ira and Charlie Louvin began playing and singing together in the 1940s in their home in Alabama, and later branching out to nearby Tennessee.… Continued →

I can only think of 1 or 2 songs where the structure of the song is built primarily around one chord. It’s a pretty risky thing to try. Luxury did it with “South” from their debut album. While there are probably others, the only other one I’m aware of is Honey’s “The Way You Move Me” from their sophomore album, Lost on You. A one-chord song seems like it would be incredibly boring, but with the various embellishments, runs that weave in and out, and ways they alter the chord (okay, technically it’s not only one chord–but it’s built around only one) keep things very interesting and almost psychedelic.… Continued →

While I’d been hearing their name pop up here and there on the internet, I was fully introduced to Voluntary Mortification’s music when I caught them opening for As Lions and Lambs here in Indianapolis. Shortly after that press manager, Mason Beard got in touch to request an interview. I got the lowdown on all things Voluntary Mortification, including the origins of that interesting band name, when I caught up with guitarist Jacob Kanclerz, and vocalist Conner Luttig. IVM: Tell me a little about the band name.… Continued →

There was a lot of hype surrounding this band when they were first signed by Facedown Records, in large part based on the fact they had three vocalists. While the hype, and sadly also the band, were short-lived (they only released one full-length and one 3-way split album), they definitely generated a healthy buzz in their short existence. And for good reason too. Soli Deo Gloria (roughly translated as “to the glory of God alone”) dropped in 2001, and stylistically the album shows its age. Torn in Two were building off of the heavy, metallic, chugga-chugga or “new school” style hardcore of the 1990s, and adding more metallic leads and riffs without ever fully crossing over into metalcore.… Continued →

Dennis Childers has deep connections to the Christian indie scene, going all the way back to the 1980s and Flock 14, the most excellent new wave band he played in at the time. However, when Flock 14 morphed into World Theatre, Dennis went underground/disappeared and not much was heard from him musically save for a few album credits here and there. Nate from Destroy Nate Allen/Good Saint Nathanael got in touch this week to let me know that Dennis had a new album dropping–literally just 2 days ago.… Continued →

Many fitting tributes have been written about the one and only, the mighty drummer/musician/song-writer/animal rights activist Ted Kirkpatrick. So much has been said about his life, his music, and his impact that I can’t really add much here. Ted’s incredible musicianship is impossible to overstate. He was revered even by the most ardent anti-religion folks, for his musicality alone, including folks like King Diamond and Marty Friedman. While I never got to meet Ted, I did have the chance to see Tourniquet live once. It was their first tour with Luke Easter as the new lead vocalist.… Continued →

Rapper Braille (born Bryan Winchester) has been making hip-hop since at least 1998, first as a solo artist and then additionally as a member of Lightheaded (featured in an earlier Song of the Day), Acts 29, and most recently the worshipful project Beautiful Eulogy. The Portland-based rapper has released just under a dozen albums, including independent releases, a Japanese import, and a collaboration with Symbolyc One, not including his work in the aforementioned cyphers. Although I’d heard of him through his association with Syntax Records, it was his 6th album Box of Rhymes where I was first introduced to his music.… Continued →

Pop-punk band Twotimer released 2 albums and then called it quits. Very little is known about the band, other than their recorded output. After a self-titled and self-released debut in 1998, the band signed to punk stalwarts Screaming Giant Records and issued See What Happens from Here in 2000. The album featured snot-nosed, yet melodic tunes that bordered on pop-punk and new school/skate punk, but with vocal harmonies. Recommended for fans of Side Walk Slam, Shorthanded, and early MxPX. “I Forget” is taken from the Screaming Giant full-length album.… Continued →

If you’ve been following social media regarding the Christian scene at all over the recent weeks/months, you’ll likely be aware of Michael Bloodgood’s recent health issues, culminating in his death last week. Michael was a co-founder, and obviously namesake, of the legendary and seminal Christian metal band Bloodgood. The band has been active since the 1980s, with their first album coming out in 1986. They stood out from the pack in various ways: the theatrical singing and stage antics of lead vocalist Les Carlsen, the top-notch music and writing of the band, and their no-compromise approach to lyrics and music ministry.… Continued →

Most of you will know that Ronnie Martin has been making music since the late 80s (at least) with Morella’s Forest 1988, Dance House Children, and most famously Joy Electric, not to mention a host of side projects like Ronald of Orange, The Foxglove Hunt, The Brothers Martin, and so forth. While there’s a lot of history with Martin’s expertise in making quirky, electronic pop music, in a sense none of that matters. Not that the history isn’t respectable–but what we really want to know is, is this record going to be good?… Continued →

This Norwegian band formed in 1999, and sadly by 2007 had called it quits. Hailing from Nannestad, just outside Oslo, they played a formed of atmospheric BM that appealed to many who heard them. While their lifespan was short, their impact was huge. You can still read accolades from fans on music-related social media pages, and band members have also been associated with a number of other, more well-known bands including Antestor, Frosthardr, and Grave Declaration. “Some Day” is taken from their 3-song self-titled demo CD, which was also re-issued a few years later by Momentum Scandinavium with an extra song as Vaakevandring.… Continued →

I’ve been listening to Ronnie Martin’s music since the late 80s, when he and brother Jason (of Starflyer 59 and many others) were known as the duo Dance House Children. That group reveled in synth-pop, but with a super quirky edge. There was nothing in the Christian nor secular markets quite like it. After two underrated albums, the pair split. Jason started the legendary indie rock monster Starflyer 59, while Ronnie carried on with synthesizer-created music in the form of Joy Electric. Picking up where Dance House Children left off, Joy Electric took the quirkiness to extreme new levels.… Continued →

I haven’t yet featured any post-rock on the Song of the Day series, so it’s time to remedy that. Circle of Birds was a one-off collaboration between members of Ester Drang, Unwed Sailor and Lasso. The vast ensemble (encompassing nine members!) allowed for a true spirit of improvisation. The resulting 3-song EP is entirely instrumental, but it’s a very satisfying listen. Characteristic for the genre, 2 of the 3 songs clock in at over 7 minutes long. Check out the title track here.… Continued →

For a brief moment in the early 1990s, it looked like electronica (or techno, or rave as it was being called at the time) was going to take over popular music. It had a huge following in Christian alternative music for a good two years. Although the synthesizer-driven genre had little to do with the guitar-dominated alt-rock, grunge, and hardcore punk of the era, what it did have in common with those genres was simply being an oddball style of music with which to glorify God.… Continued →