Author: Loyd Harp

I first heard Sixpence None the Richer while listening to a cassette demo in the Christian bookstore in 1993. They had me from the opening acoustic guitar riffs on “Field of Flowers,” the opening track from The Fatherless and the Widow. That album was fantastic, but even so, it was only a foretaste of what was to come. While the band are largely known for their romantic pop radio hit, “Kiss Me,” from their self-titled third album, many fans and critics alike are drawn to their sophomore album, This Beautiful Mess.… Continued →

What does a Christ-oriented gothic band do during a global pandemic? I had a lengthy conversation with Skot Shaw to find out. We talked about tours in Mexico, how he came to be part of Jesus People USA, and the goodness of God. IVM: Why don’t you start by giving IVM readers an introduction to the band. How did you get into doing goth music or death rock? Why does Leper exist as a band? Skot: Can open. Worms everywhere! I’ll tell ya . . .… Continued →

Y’all better to get ready to put your boxing gloves on. You ready for this? Pokinatcha is the best MxPx (Magnified Plaid) album. Why? It was melodic, but still very much punk–bordering even on old school hardcore at times. It’s by far their most unique record, before they settled into the more polished pop-punk sound that everyone remembers. To be clear, I have no problem with the direction they later took (except for maybe moving further away from Christian spirituality and theology as the years went by, but that’s another post altogether).… Continued →

This hardcore band hailed from Colorado Springs. They infused their heavy chugga chugga rhythms with melodic parts without ever getting whiny. This led some fans and writers to dub them post-hardcore, which isn’t fully accurate, but I can see why they said that. What strikes me about this song is the passion behind both the music and the clear-cutting lyrics: Where is the hope? Where is the love? Without these your system will self-destruct While it might seem that the song was aimed at society in general, it is actually pointed at the failures of the Church to stay true to the pure message of the Gospel.… Continued →

The 1990s saw a huge revival of ska music–that funky fusion of reggae and punk, or so it seemed at the time. The real history of ska was much deeper than that. Unbeknownst to the general populace, ska actually pre-dates reggae, going back to at least the 1960s. It fused traditional calypso beats with horns and sounds gleaned from New Orleans jazz. Reggae emerged in the 70s, as tempos slowed down and the overall feel became more relaxed. In the 1980s, amidst emigration from the Caribbean to England, ska mixed with punk and/or new wave to create the “Two-tone” scene, a sign of racial integration amongst working class punks and skinheads represented with the ever-present black and white checkerboard imagery.… Continued →

One of the most beloved and respected bands in the traditional heavy metal scene, Apostle was a slight anomaly in that they never released an album on a record label. Formed in 1983 in Jacksonville, FL, the band released a total of 5 independent full-length albums (not to mention EPs and compilations) all while remaining an unsigned band. Apostle opened for Christian metal stalwarts Whitecross on a national tour, and also had a song featured on East Coast Metal for Regency Records, in 1988, where I first heard the band.… Continued →

There is an absolute plethora of underground black metal bands in the Christian scene. While this is a fact to be celebrated, at times it is difficult to judge the quality of releases, when there are so many. Antivenom actually managed to escape my attention until recently. This band, like many in the scene, is fairly mysterious. I don’t know where they are from, although one member (whose name will be recognized by Christian bm aficionados) is Armath Sargon (Armath Sargon, Elgibbor, Katumus, Light to Dead, others), who is from Finland.… Continued →

Legendary, underground, Midwest technical hardcore/metalcore band Subsist announce a vinyl pressing of their acclaimed (and originally self-released on CD only) album The Rhythm Method. The Midwest band released 2 CDs in the late 90s/early 00s before calling it quits. Those in the know have always been aware of their greatness, despite their underground status. This first-ever vinyl pressing is a co-release through Steadfast Records and Dropping Bombs. See the Big Cartel link below for ordering info. Pre-orders are live as of today.… Continued →

The 90s comprised an amazing decade for alternative Christian music. We had metal, punk rock, emo, industrial, and out of left field we also had an amazing run of alternative-tinged folk rock. I was primarily a metalhead/hard alternative guy when I got hit by this amazing run of folk acts like Lost Dogs, Nicolas Giaconia, Acoustic Shack, and the UK’s own Eden Burning. While Eden Burning had been going in their native England for several years prior, their first US release was Vinegar and Brown Paper, for Storyville Records, a folk imprint of R.E.X.… Continued →

If anyone asked me to name my favorite Christian hip-hop project of all time, it is without a doubt Brainwash Projects, and their sole album The Rise and Fall of . . . . Perhaps the album title was a hint at how long the project would last, and we all just missed it at the time. Rise and Fall had everything: lyrical witticisms, dope beats, funky rhymes, and humor by the bucketloads. While the whole album is worth listening to straight through without skipping any tracks, one of the strongest singles is “Want for Nada,” a testimony to God’s faithfulness.… Continued →

Synth-pop is sort of the illegitimate child of alternative rock and disco. Although it’s not obvious, its roots like in experimental forms of music like krautrock and post-punk. As new wave splintered further and further away from punk, and added more and more synthesizers, synth-pop was being birthed. In the mainstream, acts as diverse as Kraftwerk, New Order, and Pet Shop Boys were solidifying the sound. I loved 90s synth-pop, or simply “techno” as we called it then. It was fun and danceable, dark and poppy, all at the same time.… Continued →

Brace yourself. The Souls Unrest has one of the more complicated histories in all of Christian metal. The roots of the band lie in old school punk band Spudgun, who released one album on Bulletproof Records (a division of Gray Dot). That band got heavier and darker, changing styles so much that a new name was warranted–World Against World. That version of the band also released one album (an amazing album at that) for Bulletproof, before morphing again. A short-lived project called The Orcrist followed, but released no official recordings.… Continued →

This band was the epitome of one of those all-too-common scenarios in 90s Christian music: the frustratingly great one-album wonder. Driver Eight released Watermelon via Tooth and Nail Records in 1996, to high acclaim from fans and critics alike, and then disappeared into the . . . well, that’s just it–we don’t know what happened! The album featured a highly-effective mix of alternative rock styles including Britpop (even though the band was American), quasi-shoegaze, and jangle pop. It seemed that they were channeling equally such disparate influences as Smashing Pumpkins, Catherine Wheel, R.E.M.,… Continued →

Danish experimental grindcore band Corpse Under Construction only recorded 14 tracks in their short existence–and at grindcore tempos and song-lengths, that’s just over 10 minutes of recorded material. They were released on the split CD 4-Way Noise Explosion, which also included Eternal Mystery, Rehumanize, and Long Suffering (2008 on Sewersound Records). What made the band particularly interesting–to me, anyway–was that the band consisted of just 2 members, brothers Martin Svinth on vocals and David Svinth (also of post-hardcore band Magtesløs) on vocals and programming. That’s right, just 2 guys and a drum machine–no ‘real’ instruments.… Continued →

We’re digging deep into the archives for this one. For those not familiar with electro-funk, it was an underground genre in the 1980s that bridged electronic dance music and hip-hop. In fact, in many ways it was a predecessor to the proliferation of rap music. The genre was known by a variety of names: electro-funk, techno-funk, and simply electro (not the goth/industrial version from a few decades later). In the mainstream scene, some of the most well-known names were Newcleus, Shannon, Egyptian Lover, Afrika Bambaataa, and some of Midnight Star’s mid-80s material.… Continued →

If you’ve been around the Christian punk/metal/hardcore/indie scene for any amount of time, you will likely have heard the name Burrito. Not his real name, of course–the man David Villalpando was a legend in the underground scene. Sadly, the man that many called a friend passed away this week from covid-related illness. For those who didn’t know him, it is difficult to overstate his impact on the scene. From a musical standpoint, while none of his projects ever achieved mainstream success or financial prosperity, they were always on the bleeding edge of innovation.… Continued →

When Bloodgood’s lead guitarist left the band to go solo, fans of the 80s metal stalwarts weren’t entirely sure what to expect. We probably assumed more heavy metal–at least that’s what I expected. And while there is certainly some hard rock (almost glam metal) at times, The Other Side was much broader in scope. The album showcased Zaffiro’s excellent guitar work, as we’d already become familiar with through three albums with Bloodgood: Bloodgood (1986), Detonation (1987, often hailed as the band’s finest effort), and Rock in a Hard Place (1988).… Continued →

If you’ve followed my writings for any amount of time, it’s not hard to discern my love for all things shoegaze, dream pop and the like. One of the best in the game was the mysterious LN. I was never quite sure if it was a band, or a solo project masquerading as a band. Sure, it was fairly well known that Gary Murray (who later recorded as Gary Murray and LN, and then just as Gary Murray) was the principal of the band, but not as clear who else was involved or at what level.… Continued →

I don’t know why it took me so long, but recently a very simple thought has helped me out immensely in my spirituality and my walk with Christ. It’s simply this: choose love. That’s it. When I am tempted to sin, choose love instead. When I want to be selfish, choose love. When I want to do something that would only please or elevate myself and not others, choose love. Mike Stand was singing about it decades ago. And of course, the ultimate trump card here is Jesus himself.… Continued →

This quirky alternative rock band released one independent EP and one full-length for Broken Records (also home to Undercover, The Holidays, Adam Again, etc.). While their normal material was interesting, to my ears the most compelling thing they recorded was a song for the Broken Christmas project, called “Born in a Stable.” While technically a Christmas song, it does a great job of pointing to Jesus’ purpose for coming to save us, by tracing the story of Jesus’ life and ministry all the way up to the empty tomb.… Continued →

One of the very few true “screamo” bands in the Christian scene (not just melodic hardcore/emo-core), Fable only released 6 songs in their entire career–4 on their 7″ Give Us the Night (through the legendary Takehold Records), 1 on the hardcore compilation A Testament to Broken Walls, and 1 on a split with secular screamo band Mara’akate. Band members were only 15 when they started playing together in their hometown of Holland, MI, but they quickly made a huge impact in the underground scene. Unfortunately they fizzled out too quickly and left us with only these 6 songs.… Continued →

I remember when I first heard this song. It was on the Tooth & Nail Songs from the Penalty Box compilation, amidst other songs ranging from pop-punk to hardcore and everything in-between. But Blindside was hard to peg. It was heavy and raw, and kind of hardcore, but not really. There was a mild rap influence in the delivery, but it wasn’t really rapcore either. Post-hardcore hadn’t really occurred to me as a category yet. The band put the song on their debut, self-titled, full-length album and a year later released a second–both albums on Tooth & Nail/Solid State.… Continued →

Big news for those into extreme metal. There is a new collaborative band in the war metal/bestial black metal style by the name of Cataclysmic Warfare. Vocals will be handled by Nocturnal Servant (of Goatscorge, Shekinah), and music by E.O.S. (of Marble Tomb, Antiviper). They are currently recording an EP, which they hope to release by mid-2022. The band will release a lyric video in the very near future, but for now they’ve offered this brief teaser. If this sample is any indication of the full EP, then black metal fans definitely have something to look forward to in the new year.… Continued →

San Francisco-based goth band BATZZ in the Belfry are relatively unknown in the mainstream, but that is a real shame. They combine “unashamed traditional old school goth” with ethereal dream pop, and even hints at shoegaze at times. I suppose this puts them in the realm of darkwave. Take “Touch the Stars” for instance. The song would easily be at home on a Metropolis or Projekt Records compilation alongside Sisters of Mercy, Love and Rockets, or Love Spirals Downwards. The song could almost fit on the Twin Peaks soundtrack as well.… Continued →

Welcome to the best band you’ve never heard of. Enemy Ships (FKA The Emergency, not to be confused with The Emergency, AKA Ten-33) was a sort of supergroup with members from Christian alternative heavyweights like Jason Martin (Starflyer 59, Bon Voyage, Neon Horse, etc.), Dirk Lemmenes (Stavesacre, Focused), Ryan Denne (Stavesacre), Travis Zimmerman (Jupiter James), and Frank Lenz (Fold Zandura, Frank Lenz, etc). The band recorded an album for mainstream Atlantic Records entitled The Emergencyin 2007, but sadly it was never released. Stylistically the band play rock and roll, but with a punk energy and aesthetic.… Continued →

It’s time for some industrial! But not the guitar-heavy metallic brand. The November Commandment (or often Nov*Com) were doing EBM/electro before it was trendy–or even before it was called that. Hailing from Sweden, the band emerged with an independent cassette in 1988 called Complete Structure. The tape featured a minimalist sound driven by synthesizers, not too unlike Coil and some of Wire’s more experimental material. They released another cassette in 1991, this time a 5-song EP. The band made their appearance in the consciousness of American fans via the fantastic SLAVA compilation, Voice of the People, co-released through Blonde Vinyl Records.… Continued →

For our Song of the Day this time, let’s dig deep. While I often get stuck in the 90s (admittedly a great era for faith-based musical excursions), let’s not forget that Christian rock goes back *at least* to the 1960s (or arguably earlier if we include Sister Rosetta Tharpe). Not a lot is known about Gidians Bible (sic.), but what is known is fairly significant. Take a closer look at the band photo, particularly the vocalist on the far right. That’s then-future Petra vocalist Greg Volz.… Continued →

I’ve said it before and I’ll say it again, Sin Disease is one of the greatest albums ever to emerge from our scene. Romald Domkus (born Allan Aguirre) and company unleashed a wonderfully chaotic debut album, with production from Terry Taylor (DA/Daniel Amos/Swirling Eddies/Lost Dogs) that set CCM on its head! Think I’m overstating things? Not possible. Here’s why: have you ever tried to pigeonhole the album, or this band, into a single genre? Good luck. Take equal parts hardcore punk, reggae, goth, glam rock, and heavy metal, and then top the whole thing off with a weird experimental noise track lasting over 7 minutes long.… Continued →

The one, the only, the legendary hardcore band from Tulsa, Oklahoma. Mr. Bishop’s Fist only released one 3-song demo, and had 2 compilation appearances, before they broke up and moved to the Pacific Northwest. So why include the band here when they made such a small impact? Well, despite their limited output, the band actually had an incredible impact. First, because the songs were so good, so brutal, so raw and real, fans and collectors to this day still talk about the band. Second, members of the band wound up in a number of other bands that were equally influential.… Continued →

New independent metal label The Charon Collective have recently re-issued Pennsylvania band Sacrament’s debut demo Presumed Dead on CD and digital formats. The death/thrash metal band went on release two full-lengths, seminal death metal release Testimony of Apocalypse and technical thrash beast Haunts of Violence. The re-issue is accompanied by the news that former Sacrament members have re-formed as Testimony of Apocalypse, and are writing new material for a future release. Presumed Dead can be ordered from The Charon Collective here: https://thecharoncollective.bandcamp.com/album/presumed-dead-2021-remaster?fbclid=IwAR3RtKoHZ2sSGB2-zSPwhS1tABQrTwI-gVHda1Z19zNFQHrk0SluASZ4XvM… Continued →