Tag: 2000s

‘Imisi is a reggae duo spearheaded by brothers David Fohe and Jubilee Fohe. They play in the pop-reggae or “lovers rock” style, but with a worshipful emphasis on the love of God. Imisi’s music was first brought to a wider audience through Mark Mohr’s (of Christafari) label Lion of Zion Entertainment, who released a pair of albums in 2003 and 2006, respectively. They seem to have been active up until at least 2023, releasing more albums–mostly digitally–through their websites at ReverbNation and BigCartel. “God is Love” comes from the 2013 project Riddimtion Project Vol 1 of which I can barely find any info at all.… Continued →

AP2 was the continuation of, or the evolution of the forerunner Argyle Park. The first incarnation of the band recorded one album, Misguided, for R.E.X. Music in 1994, performed only one live performance at Cornerstone Festival in 1995, then broke up shortly after amidst a plethora of controversy in Christian music circles. The bulk of the controversy involved the band not being positive enough or evangelistic enough. While the bands’ members were all known by pseudonymous aliases, it is fairly well-known that the creative forces behind the project were Scott Albert (AKA Dred and Deathwish) of Circle of Dust/Celldweller and childhood friend Chris Martello (AKA Buka), who at the time worked for MTV Sports and was responsible for getting lots of Christian alternative/punk/hardcore bands into MTV programming.… Continued →

Wisconsin: most known for cheese curds, dairy farms, glacial lakes, and the Green Bay Packers. It’s also home to pop-punk band Alakrity (nowadays known as At the Wayside). We’re digging deep into the band’s archive for this track. “For the Good of Getting Better” comes from their debut release, 2007’s You Are Here EP. The track features sugary-sweet melodies and fast tempos, the two main hallmarks of the genre. The song also features some really cool vocal harmonies and lots of start-stop rhythms and tempo changes.… Continued →

Indie pop duo Bon Voyage was a collaboration of Jason Martin (Starflyer 59, and about a dozen others) and his wife Julie on vocals. The project was somewhat accurately described as “Starflyer with female vocals,” which is not inaccurate though not really complete either. Whereas SF59 added layers and layers of guitars and fuzz, Bon Voyage stripped things back to the pop essentials. Julie’s vocals are akin to Julee Cruise, most famous for her work on the Twin Peaks soundtracks. The band released three albums for BEC and/or Tooth and Nail, and we haven’t heard from them since 2008.… Continued →

This Californian modern metal band I personally learned about through the Dead2Self radio site when they had a metal sister site before it combined a few years back. I don’t know too much beyond that on this defunct band, but this song hits hard. They do have a Facebook & ReverbNation page still up though.          … Continued →

Most of us first heard sintax.the.terrific as a member of hip-hop supergroup Deepspace5, a massive rap cypher featuring members of Mars Ill, Labklik, The Pride, and Ill Harmonics. The group’s debut hit stores in 2001 via Uprok Records (the hip-hop sublabel of Tooth & Nail Records). sintax’s first solo album released in 2006 for Illect Recordings, interestingly enough, run by the former head of the short-lived Uprok, Josh Niemyjski. That is, of course, if we don’t count his 2003 indie release. What’s cool about “Moonlighting” is the autobiographical take on being an independent Christian rapper by night, while being a real-life lawyer by day.… Continued →

Kevin & Anita Robinson (Viva Voce, Blue Giant) had a short-lived funk/soul project called Francis, that released a split release with Lackthereof about 20 years ago. This project even opened for Fugazi once in North Carolina (talking about indie cred)! The band is releasing a new track (well, sort of)–actually an unreleased track from 2004, which will be available tomorrow (June 27) on Bandcamp or Friday (June 28) on other streaming platforms, thanks to long-time label partner Velvet Blue Music. Kevin is a Middle School teacher in Alabama specializing in Multimedia Production and some of his students created this video for the song.… Continued →

Let’s get this out of the way. Some of you hate U2 for one reason or another–the ‘pompous’ nature of the lead singer, the ‘self-importance’ of their message, the fact they had the audacity to include a free digital album to people who didn’t ask for it. Others of you will love U2–the ingenuity, the forward-thinking approach to a genre that was struggling when they reinvigorated with new life, and the sincerity with which they tackled a whole host of social issues. Then a few more will be indifferent to the band whatsoever.… Continued →

Every Day Life, commonly known as E.D.L., was an early innovator in the rap-core scene, fusing hip-hop and hardcore into something new, several years before it morphed into nu metal and became ubiquitous on rock radio. The band came from Southern California, and while musically innovative (our featured track also has a slight nod to industrial), they were also not afraid to touch controversial subjects in their lyrics, especially those related to racial relations in the United States, and other social topics and justice-related issues. Their debut album cover featured a scene from the L.A.… Continued →

Lugnut was a hardcore punk band from Northern Florida, only active for a few short years in the late 90s/early 00s. Their sound was somewhat melodic, but they were way too intense and too fast to be pop-punk. Some have called this sound skate punk or new school punk. They only released one full-length album entitled . . . Like the Dickens and a split release with fellow JCHC punk Officer Negative. Both releases were on Screaming Giant Records. In the band’s ashes, members went on to play in a number of other acts.… Continued →

One of the “Big Three” in Christian ska, The Insyderz formed in Detroit, MI in 1995 out of their Salvation Army worship band. Like their counterparts in The O.C. Supertones and Five Iron Frenzy, the band featured a mix of third wave ska, punk rock tempos, and worshipful lyrics. Unlike their counterparts, The Insyderz were the first of the group to release an entire album dedicated to ska-core worship songs. For their second album, the aptly-titled Skalleluia!, the band assembled a setlist of mostly modern praise and worship songs and turned them into ska anthems.… Continued →

SoCal rapper Peace 586 (born Rene Vasquez) has been hitting the hip-hop game hard since the late 80s (first as M.C. Peace), as a member of the seminal and innovative Freedom of Soul, and through numerous collaborations with artists like S.F.C., Jon Gibson, Scott Blackwell, J.C. and the Boyz, and many others. He went solo following the break-up of Freedom of Soul and released his first solo album in 1996. As impressive as that is, what’s even more impressive is the fact that he’s still been active as recently as 2023, releasing a full-length solo album on his own label.… Continued →

Impossibly difficult to categorize into any nice, neat genre, Norway’s Drottnar originally formed as Vitality, in 1996. They began playing death metal, but changed names when their sound shifted towards black metal. The band’s sound continued to evolve more and more, incorporating progressive and technical elements into something more avant-garde over time, while still retaining elements of black metal, death metal, and other extreme sounds. It is this level of experimentation and excellence that both sets them apart from their peers musically, and simultaneously makes their music less accessible to the general populace of listeners–even amongst fans of heavy music.… Continued →

As you’ve undoubtedly already read elsewhere, and seen all over the chrindie corner of the internet, Michael Knott died earlier this week. Much has been written about the man, the music, the iconic artist, so I don’t intend to re-tread any of that ground here. This is a Song of the Day post after all. Nonetheless it does seem fitting to use this week’s SOTD column to feature more of Knott’s work. He wrote and recorded so many incredible albums from the 1980s through the 2020s that it’s hard to pick a “best” or even a “favorite.”… Continued →

Blonde bombshell Windy Lyre appeared seemingly out of nowhere in 1991 with her self-titled debut on Blonde Vinyl Records. Truth be told her connections to alternative Christian music ran deep, but on a personal level, which is not appropriate to go into here. The album was a refreshing display of acoustic alternative, which hinted at folk rock, jangle pop, and in a way preceded the dream pop/alt country craze that swept the middle part of the 1990s and beyond. Lyrics and music were all written by label owner Michael Knott (LSU, Lifesavers, Aunt Bettys, etc.)… Continued →

Endless Sacrifice is a brutal death metal band from Argentina. The project formed in 2009, and has only had one constant member–Diego Barrera on vocals, guitar and songwriting duties. Carlos from Antidemon has provided guest vocals occasionally as well. With only one constant member, the ‘band’ has more or less remained a studio project. Nonetheless, add Endless Sacrifice to the long list of quality, brutally heavy bands from South America. Their debut, Dominio Total was released in 2016 on two different Latin American independent labels: Bolivia’s Vampire Records and Mexico’s Warriors Records before finally seeing a U.S.… Continued →

Melk the G6-49 was a two-man noise rock/math rock band from Indianapolis, and spearheaded by Joyful Noise Recordings founder/owner Karl Hofstetter. The band was entirely instrumental, yet reflected biblical themes in its song titles and album titles. Their debut is based around the “writing on the wall” story from Daniel chapter 5. Having said that, it’s not clear the band’s (nor label’s) current take on faith, despite early recordings being inspired by and/or dedicated to it. The band was active in recording from 2001 – 2004 and then went quiet until releasing a 7″ in 2022, so here’s hoping that means the band will kick back up.… Continued →

Cast in Stone was a hardcore band from California, who recorded their first cassette demo in 1998. Their early material was that old school meets new school subgenre sometimes called “tough guy hardcore.” It’s no surprise then that some of the members also did stints in Sleeping Giant, xDEATHSTARx, mainstream Bleeding Through, Point of Recognition and hardcore supergroup Dodgin’ Bullets. They recorded an EP for indie Warfare Records in 2000, a 3-way split release with Point of Recognition and Torn in Two for Facedown in 2001, and then a final cassette demo in 2001.… Continued →

British-born poet/artist/performer Steve Scott has been involved in or connected with Christian alternative music since 1983, having emerged from Croydon (South London) via the Bowery (New York City) before winding up in Sacramento, CA with the Exit Records scene there (Seventy Sevens, Charlie Peacock, etc.) where his debut album Love in the Western World was produced by Steven Soles (of Alpha Band fame). His solo work was a gleefully artistic take on new wave and/or post-punk with literate lyrics that pointed to his art school upbringing.… Continued →

This old-school punk rock band The Combat Junkies, hailed from North Carolina, and featured a classic hardcore punk sound mixed with hints of oi/streetpunk and new school punk. To be honest, I’m not sure why this band didn’t make it bigger than they did. Their raw yet appropriately produced sound would have appealed to fans of 7-10 Split, Squad Five-0, One-21 and the like, and yet they seemed to fly underneath the radar of most fans. The Combat Junkies released two full-length albums. The War Within came out in 2002 on Clumsy Records, and Fight or Die .… Continued →

This thrash metal band hailed from Brazil in the region of Belford Roxo, just outside of Rio de Janeiro. They were active in the mid-90s, playing a form of thrash that was occasionally influenced by related styles like death metal, groove metal, and metalcore. They broke up in the late 90s and then re-formed in 2001, and have been active on and off. This video was posted in 2017, but I’m not aware of an accompanying album to go with it. Nonetheless, the band has had at least one full-length and one EP, both on the Brazilian indie label Força Eterna Records.… Continued →

Early 2000s emo, you gotta love it! One of the best, and painfully one of the most obscure in the genre was twothirtyeight (or sometimes 238). The band hailed from Pensacola, FL in the state’s panhandle. Florida seemed to be a haven for emo and hardcore during that era, and many of those bands ended up on Birmingham, AL’s Takehold Records, and then eventually on Tooth & Nail when they bought Takehold’s roster and much of its back-catalogue. Twothirtyeight played a style of emo that minimized the hardcore influence and instead delved into a deeply emotional form of indie rock, like secular counterparts in Braid, Cursive, or Christie Front Drive.… Continued →

Since the genre first emerged in the early 1980s, hardcore (originally hardcore punk) has splintered into dozens of sub-sub-subgenres including melodic hardcore, beatdown, old school hardcore, new school/chugga chugga, d-beat, crust punk/crustcore, metalcore, emocore, and so forth. By and large my favorite artists have generally been those who kept closest to the genre’s origins, even if they took those beginnings in new directions. The old slogan (which I’ve often quoted here on this site) “loud, fast rules!” is apropos here. In the late 90s/early 00s a revival of the style emerged, sometimes referred to as “tough guy hardcore.”… Continued →

Grave Declaration is (was?) a symphonic/atmospheric black metal project from Norway. While that’s not so unusual, what set the band apart was its distinct emphasis on worship. Self-touted as “worship metal” the band’s lyrical emphasis was on a praiseworthy connection to the Creator. Their sound is firmly within the atmospheric branch of black metal, as opposed to the more raw, primitive sounds often associated with the genre. With ties to stalwarts Antestor, and underground legends Vaakevandring, Grave Declaration had the pedigree and the chops to prove their worthiness.… Continued →

I first heard of this LA punk band when I was running distro in the early 2000s. They had an EP out on The Legion (short-lived label that only released 3 titles), which I began stocking, and then they put out another release on the upcoming Clumsy Records (also home to Combat Junkies, The Stivs and a few others). I had the chance to catch them live at Cornerstone 2002, which was a fantastic show! In fact, that year was a great year for punk at the festival, as I also saw Huntingtons, The Remnants, One Bad Pig, World Against World, and Headnoise that year among others.… Continued →

Dr. Onionskin has a long and somewhat interesting history. Born Shane Ries, he had a brief career in the 80s in mod and power pop bands (a fact I only recently discovered), but first came into CCM prominence with the oddly effective project Hymn Jim’s Gospel Gems (1995), which fused traditional hymns with dance music. He re-branded a year later as Dr. Onionskin and changed styles to acid jazz, releasing the quirky, instrumental and semi-brilliant Split Pea Soup. Then in 1996 he changed styles again, though still building on jazz-electronica fusions, and emerged with Bully and oh my gosh, what a record!… Continued →

Embraced was a short-lived hardcore band from Florida, active in the early 2000s. I was able to catch the band live a couple of times at local gigs and mini-festivals, and enjoyed their shows. I always liked their semi-melodic take on hardcore (I mean, they were from Florida, after all!) They were clearly playing HC, but with hints of emo and indie rock at times. Perhaps in a similar vein to Bloodshed, Beloved, and Underoath, but with their own take on it. The band only released one mini-album, the 7-song An Orchestrated Failure, in 2002 for Theory 8 Records (who also an album by The Goodbye Letter and an early split with Copeland and Pacifico, among others).… Continued →

I’ve never been a huge fan of pop-punk–just dabbled here and there–but darn it all if this isn’t a catchy tune! I popped this into the car CD player earlier this week, having not listened to it in years, and that opening tune was so ridiculously familiar! I think I must have heard it on a compilation somewhere too for me to remember it so well. Anyway, Olivia the Band was originally from Hawaii, but eventually relocated to San Diego. They released their self-titled debut in 2005 on Essential Records.… Continued →

Not much is known about this underground hip-hop crew. Their recorded output consists of two independent releases: a cassette demo from 1997, and a full-length CD in 2004 with the moniker shortened to simply “Remnant” (not to be confused with the indie rock band that eventually became Exeter Flud). It was in 1997 or 98 that my good friend Jay (AKA DJ Deikon) who was huge into underground holy hip-hop introduced me to them. I was immediately intrigued by their creative backing tracks and atypical lyrical flow.… Continued →

Contrary to what the band name suggests, They Sang as They Slew was not a metal or hardcore band, actually quite far from either. If you hear similarities to the indie rock of Luxury, it’s because half of the band came from Luxury while they were on a break from touring–namely guitarist Jamie Bozeman and bassist Chris Foley (both of whom are Orthodox priests in their day job). I hope some fans recognize the band name from the epic battle scene in Lord of the Rings (the book, not the movie).… Continued →