Tag: 2010s

‘Imisi is a reggae duo spearheaded by brothers David Fohe and Jubilee Fohe. They play in the pop-reggae or “lovers rock” style, but with a worshipful emphasis on the love of God. Imisi’s music was first brought to a wider audience through Mark Mohr’s (of Christafari) label Lion of Zion Entertainment, who released a pair of albums in 2003 and 2006, respectively. They seem to have been active up until at least 2023, releasing more albums–mostly digitally–through their websites at ReverbNation and BigCartel. “God is Love” comes from the 2013 project Riddimtion Project Vol 1 of which I can barely find any info at all.… Continued →

Most of us first heard sintax.the.terrific as a member of hip-hop supergroup Deepspace5, a massive rap cypher featuring members of Mars Ill, Labklik, The Pride, and Ill Harmonics. The group’s debut hit stores in 2001 via Uprok Records (the hip-hop sublabel of Tooth & Nail Records). sintax’s first solo album released in 2006 for Illect Recordings, interestingly enough, run by the former head of the short-lived Uprok, Josh Niemyjski. That is, of course, if we don’t count his 2003 indie release. What’s cool about “Moonlighting” is the autobiographical take on being an independent Christian rapper by night, while being a real-life lawyer by day.… Continued →

I only discovered this band a few months ago when I acquired a huge box of Christian metal CDs. Sáwol come to us from Finland, which is no surprise considering that nation has the highest number of metal bands per capital out of all the countries in the entire world. For some reason I missed out on them, even though their debut was released in 2010 through Bullroser Records, whom I was familiar with. The CD I acquired was actually their 2007 debut, which I enjoyed immensely.… Continued →

Eyes of the Defiled was a deathcore band (death metal + metalcore) from Maryland. Information about the band is scarce, but it appears that they formed in the early 2010s, putting out their debut EP in 2012 before signing with Vision of God Records, for 2016’s Distant Tellings album. They were also involved in almost every installment of the Christian Deathcore compilations on Bandcamp. The band’s sound focused on traditional deathcore–heavy riffs, often in a breakdown style, the occasional melodic lead guitar, and lots of pig squeal-type vocals that are associated with the genre.… Continued →

SoCal rapper Peace 586 (born Rene Vasquez) has been hitting the hip-hop game hard since the late 80s (first as M.C. Peace), as a member of the seminal and innovative Freedom of Soul, and through numerous collaborations with artists like S.F.C., Jon Gibson, Scott Blackwell, J.C. and the Boyz, and many others. He went solo following the break-up of Freedom of Soul and released his first solo album in 1996. As impressive as that is, what’s even more impressive is the fact that he’s still been active as recently as 2023, releasing a full-length solo album on his own label.… Continued →

Impossibly difficult to categorize into any nice, neat genre, Norway’s Drottnar originally formed as Vitality, in 1996. They began playing death metal, but changed names when their sound shifted towards black metal. The band’s sound continued to evolve more and more, incorporating progressive and technical elements into something more avant-garde over time, while still retaining elements of black metal, death metal, and other extreme sounds. It is this level of experimentation and excellence that both sets them apart from their peers musically, and simultaneously makes their music less accessible to the general populace of listeners–even amongst fans of heavy music.… Continued →

Glen Galaxy is perhaps best known for his work in two different San Diego-based experimental indie rock bands: Trumans Water and Soul-Junk. The former was a non-religious noisy indie rock band in the proper sense of the term. Soul-Junk was a truly experimental band dabbling in a dozen different genres with lyrics filled with Scripture. On the one hand, you never knew what you were going to get musically (would it be hip-hop or noisy punk?). On the other hand, you knew that each and every album or 7″ EP was going to be chock full of quirky scriptural renditions and psalms of praise.… Continued →

As you’ve undoubtedly already read elsewhere, and seen all over the chrindie corner of the internet, Michael Knott died earlier this week. Much has been written about the man, the music, the iconic artist, so I don’t intend to re-tread any of that ground here. This is a Song of the Day post after all. Nonetheless it does seem fitting to use this week’s SOTD column to feature more of Knott’s work. He wrote and recorded so many incredible albums from the 1980s through the 2020s that it’s hard to pick a “best” or even a “favorite.”… Continued →

Endless Sacrifice is a brutal death metal band from Argentina. The project formed in 2009, and has only had one constant member–Diego Barrera on vocals, guitar and songwriting duties. Carlos from Antidemon has provided guest vocals occasionally as well. With only one constant member, the ‘band’ has more or less remained a studio project. Nonetheless, add Endless Sacrifice to the long list of quality, brutally heavy bands from South America. Their debut, Dominio Total was released in 2016 on two different Latin American independent labels: Bolivia’s Vampire Records and Mexico’s Warriors Records before finally seeing a U.S.… Continued →

Nautical-themed indie rock band Rusty Shipp are working on a new album. The band will be releasing Volume II of the Cosmic Innuendo story arc, following on from Volume I, entitled The Dark Side of the Ocean. There is a wide swath of reward packages ranging from $5 to $500, and from simply obtaining a copy of the album to actually recording with the band! An exciting addition at the $15 level includes a digital copy of a bonus live album recorded at AudioFeed 2023.… Continued →

British-born poet/artist/performer Steve Scott has been involved in or connected with Christian alternative music since 1983, having emerged from Croydon (South London) via the Bowery (New York City) before winding up in Sacramento, CA with the Exit Records scene there (Seventy Sevens, Charlie Peacock, etc.) where his debut album Love in the Western World was produced by Steven Soles (of Alpha Band fame). His solo work was a gleefully artistic take on new wave and/or post-punk with literate lyrics that pointed to his art school upbringing.… Continued →

This thrash metal band hailed from Brazil in the region of Belford Roxo, just outside of Rio de Janeiro. They were active in the mid-90s, playing a form of thrash that was occasionally influenced by related styles like death metal, groove metal, and metalcore. They broke up in the late 90s and then re-formed in 2001, and have been active on and off. This video was posted in 2017, but I’m not aware of an accompanying album to go with it. Nonetheless, the band has had at least one full-length and one EP, both on the Brazilian indie label Força Eterna Records.… Continued →

Grave Declaration is (was?) a symphonic/atmospheric black metal project from Norway. While that’s not so unusual, what set the band apart was its distinct emphasis on worship. Self-touted as “worship metal” the band’s lyrical emphasis was on a praiseworthy connection to the Creator. Their sound is firmly within the atmospheric branch of black metal, as opposed to the more raw, primitive sounds often associated with the genre. With ties to stalwarts Antestor, and underground legends Vaakevandring, Grave Declaration had the pedigree and the chops to prove their worthiness.… Continued →

This folk-punk band was formed as a sort of atypical worship band. Their purpose was to create “authentic church music devoid of hype.” Hailing from Pittsburgh, the band features members of Last Hope and Timbre, its roots firmly embedded in the punk scene. Their one and only album was self-released in 2010, but saw a digital re-release in 2019 via Zap Records (home of 2 Minute Minor, Voice of the Mysterons, October Bird of Death, and others). I reviewed the album in 2019, here, and really enjoyed it.… Continued →

Many fitting tributes have been written about the one and only, the mighty drummer/musician/song-writer/animal rights activist Ted Kirkpatrick. So much has been said about his life, his music, and his impact that I can’t really add much here. Ted’s incredible musicianship is impossible to overstate. He was revered even by the most ardent anti-religion folks, for his musicality alone, including folks like King Diamond and Marty Friedman. While I never got to meet Ted, I did have the chance to see Tourniquet live once. It was their first tour with Luke Easter as the new lead vocalist.… Continued →

Rapper Braille (born Bryan Winchester) has been making hip-hop since at least 1998, first as a solo artist and then additionally as a member of Lightheaded (featured in an earlier Song of the Day), Acts 29, and most recently the worshipful project Beautiful Eulogy. The Portland-based rapper has released just under a dozen albums, including independent releases, a Japanese import, and a collaboration with Symbolyc One, not including his work in the aforementioned cyphers. Although I’d heard of him through his association with Syntax Records, it was his 6th album Box of Rhymes where I was first introduced to his music.… Continued →

If you’ve been following social media regarding the Christian scene at all over the recent weeks/months, you’ll likely be aware of Michael Bloodgood’s recent health issues, culminating in his death last week. Michael was a co-founder, and obviously namesake, of the legendary and seminal Christian metal band Bloodgood. The band has been active since the 1980s, with their first album coming out in 1986. They stood out from the pack in various ways: the theatrical singing and stage antics of lead vocalist Les Carlsen, the top-notch music and writing of the band, and their no-compromise approach to lyrics and music ministry.… Continued →

This veteran, Canadian singer-songwriter has been active since at least the early 70s (probably earlier), since his debut eponymous album came out in 1970. I first became acquainted with his music in the 1990s, reading an album review in CCM Magazine, but also hearing equally about his accolades from the secular press. I took a chance on buying a live album, when I found a copy of his 1990 live album (he’s done at least 5 live albums), Bruce Cockburn Live on cassette. I’d heard he was a folk artist, and a songwriter, so I was prepared for the mostly acoustic sounds on the tape.… Continued →

This hardcore band hailed from Colorado Springs. They infused their heavy chugga chugga rhythms with melodic parts without ever getting whiny. This led some fans and writers to dub them post-hardcore, which isn’t fully accurate, but I can see why they said that. What strikes me about this song is the passion behind both the music and the clear-cutting lyrics: Where is the hope? Where is the love? Without these your system will self-destruct While it might seem that the song was aimed at society in general, it is actually pointed at the failures of the Church to stay true to the pure message of the Gospel.… Continued →

One of my most anticipated albums of 2021 from a highly recommended new band by the name of Radical Radical, drops on August 27th. This emo driven pop-punk album is sure to impress just about anyone who gives it a chance and the nostalgia dripping from your stereo will be enough to overwhelm the senses in a most powerful way. Get into the new record by watching the teaser below and make sure to mark August 27th on your (digital) calendars for the release of Radical Radical “I Feel Like I Want To”.… Continued →