Tag: 90’s

Forming first as Spud Puddle, this band from southern California changed their name just prior to the release of their second album. Partly due to confusion with punk band Spudgun, but more so due to a change in styles–away from the pop-punk of their debut, and into alternative/indie rock on the self-titled Quaylealbum, the old band name just didn’t fit anymore. With a sound that touched on alternative rock, power pop, and just a hint of emo, Quayle wowed listeners with a sound that was both raw and melodic at the same time.… Continued →

The Felluz was a third-wave ska band from Michigan. Not a lot is known about the band, but they came to national light via the SkaCraze2 compilation. The second installment of the Christian ska series focused on the “East Coast,” and/or bands that we were not from the dominant West Coast scene. The Felluz offered a distinctly third wave take on ska with a light but upbeat punk-ska feel. They released one 5-song CDr, that was released independently in 1998. Our Song of the Day is the first track on the EP, but you’re in luck.… Continued →

This hip-hop trio had a laid-back West Coast style. Stylized alternately and inconsistently as either “K2S” or “K II S”, the acronym stood for “Keys to Salvation.” The group was an unapologetic Gospel rap group, consisting of siblings Donald Newman (AKA Smooth) and Jennifer Lee-Newman (Jen-E), and Kabuc (AKA K-Buc). Kabuc left the group in 2004, leaving K2S as a duo for their final album. They released a demo cassette in 1994, and then four full-length albums for a variety of record labels including heavyweights Grapetree Records and Metro One Recordings.… Continued →

Everdown was a hardcore band from New Hampshire, active in the mid-90s, but their roots were in earlier versions of the band like Crawlspace (who recently had their material re-issued by The Charon Collective) and Dry Bones. Unlike their counterparts from southern California or New York City, Everdown incorporated other influences into their music like post-hardcore and even sludge. Perhaps it was their New England location, or maybe they were simply influenced by a different scene, but with unusual arrangements (for hardcore), and song lengths at times over 7 minutes, their take on hardcore was certainly unique in the Christian scene.… Continued →

Speck was one of those bands that was easy to miss if you weren’t paying attention. They released two albums for Bulletproof/Gray Dot Records in the late 90s. That decade produced a plethora of alternative rock bands. In fact, there were so many that at times it was difficult to keep up, and even harder to wade through them in order to find the gems among the mediocre. Speck, sadly, didn’t make a huge splash like their counterparts in Plankeye, Grammatrain, The Prayer Chain, Poor Old Lu, and the like.… Continued →

Heartbeat started in the early 80s as a music ministry extension of Youth for Christ in the United Kingdom. They initially began as a back-up band for solo performers (like Sheila Walsh), but they also performed as their own band, often appearing in schools, colleges, and even serving as a worship band for Christian events and festivals. As such, they paved the way for later, similarly-minded music ministries like World Wide Message Tribe (except that WWMT were dedicated to the Birmingham area, specifically). Heartbeat’s sound was a distinctly European form of synth-pop: sugary sweet and intensely melodic, not at all resembling the post-punk or new wave fusions of some of their synth peers (New Order, Depeche Mode, etc.)… Continued →

In case you don’t know, The Rumors Are True is a fantastic podcast extremely relevant to our scene. Past episodes have featured Bryan Gray of the The Blamed, Ted Cookerly of Every Day Life, Jeff Bellew of Stavesacre/The Crucified/so much more, and hundreds more. Rumors recently did a double-episode whammy on the band Bleach, an artist long-time IVMers will certainly be familiar with. Fortunately for fans, the band has recently reunited. They are playing Furnace Fest this October in Birmingham, AL and they’re even playing a show TONIGHT in Jacksonville, FL.… Continued →

While this artist is known as a sort of darling in the indie folk scene, his roots are in the Christian punk/emo scene of the Pacific NW in the 90s. With connections to Pedro the Lion, Roadside Monument, Poor Old Lu, etc. Jurado released some 7″ singles on the then-fledgling Christian label Tooth and Nail Records. Even his debut was a co-release with Tooth and Nail and SubPop, the latter a connection that came through his friend Jeremy Enigk of Sunny Day Real Estate. Apart from some of his early punk-leaning projects, Jurado has not been one to proclaim faith through his music, opting instead to tell stories both real and fictional.… Continued →

Husband and wife duo Michael and Laura Misiuk comprised alternative folk/rock act Acoustic Shack. Their stellar debut for Blonde Vinyl (1991, self-titled) was replete with poignant lyrics, Michael’s competent guitar playing, and the pair’s vocal harmonies led by Laura’s distinctly 90s alterna-pop croon. While it was slightly outside of my tastes at the time (which mostly leaned in a punk/metal/grunge direction), I couldn’t help but be captivated by the band’s combination of acoustic-led music and heartfelt reflections on topics as far-ranging as trying to understand a friend’s trauma from childhood abuse (“Deliver Me”), the comforts of home and belonging (“Red Door”), and the assurances of love (“It’s Good to Know”).… Continued →

Stavesacre emerged in the mid-90s as sort of Christian punk/alternative/metal supergroup. Featuring ex-members of The Crucified, Focused, Chatterbox, The Blamed, scaterd-few, and Saviour Machine, the band had a lot of hype to live up to before their debut album was even heard. And while the members’ previous project mostly dabbled in hardcore, Stavesacre forged new sounds more akin to post-hardcore or alternative metal. The late 90s landscape was ripe for such a shift, with nu metal and other forms of non-traditional metal emerging. The band’s debut album, Friction, was metal with eager praise from both fans and critics, covering ground that was often neglected in Christian circles.… Continued →

There was a lot of anticipation about this band before they ever released one song. Founder/vocalist Brett Detar had been in Zao, playing on one of their most popular albums, Where Blood and Fire Bring Rest, as well as the unique and creative–and tragically underrated/unheard–emo-core band Pensive before that. With The Juliana Theory, Detar, along with bandmates Neil Hebrank (drums), Chad Alan (bass), Joshua Fiedler (guitars), and Joshua Kisker (guitars) took emo in a more accessible direction. The band released four full-length albums between 1999 and 2006, along with a few live recordings, EPs, and the seminal split release with Dawson High.… Continued →

There has been an ongoing silence on the latest happenings in the Christian music realm and it’s not by accident, it’s pure engineering. So much so that we’ve decided (well me actually) to amp up the fun by diving head first into the world of “Reels” and short streaming clips as evidenced by some recent posts on Instagram and Facebook. While not as cutting edge and China-centric as say TikTok or as private as a Snap (not that kind of private and also, do people still use this app?),… Continued →

Rivulets and Violets was a short-lived project spearheaded by Masaki Liu. Liu is a producer and engineer whose name appears in literally dozens (actually over a hundred!) of albums from Christian alternative and metal bands, especially in the 90s. He also owns his own studio, and has been a member of post-punks The Lonely Now and roots rockers Dimestore Prophets. But R&V was a unique project. Their first album was released in 1993, and featured mostly instrumental songs. While there were no lyrics, there were occasional vocal parts, mostly in the form of la’s and other non-verbal vocal sounds.… Continued →

Denison Witmer is a guitarist and vocalist. A classic singer-songwriter in the indie folk style. Witmer grew up in Lancaster, Pennsylvania attending Lancaster Mennonite School, representing the faith tradition in which he was raised. At some point during his youth, Witmer began taking guitar lessons from Don Peris (The Innocence Mission), and recorded his first album while he was in high school. The project was not marketed to the public, so his true debut came a few years later in 1998, in the form of Safe Away.… Continued →

The Julies was a barely-known indie pop band from Pennsylvania who released one highly-regarded EP for Flying Tart Records in 1996 and then disappeared for roughly 27 years. I caught up with the band recently to discuss their origins, their revival, and their connection to the Christian indie scene. IVM: I’ve been a huge fan since Lovelife. It’s one of my favorite EPs. You guys had some clear influences, but at the same time didn’t sound like anyone in particular. You must have been pretty young when you recorded that.… Continued →

Fat and Frantic was a delightfully quirky indie band from England, active from the mid-80s and into the early 90s. While the band was made up of Christians (at least one of whom later entered full-time ministry in the Church of England, and another who has a decorated career as a choir director), they managed to stay out of the ‘Christian ghetto’ and had lots of mainstream exposure, at least in their home country. When I lived in England, I would come across people who had no connection to the church but had fond memories of seeing Fat and Frantic live.… Continued →

It’s Holy Week, the most important season in the church calendar, so it’s important to celebrate everything Jesus did for us, displaying his love through the ultimate sacrifice on the cross. When it comes to music, it seems that the metal bands give us the most material when to comes to focusing on the passion events. Sacrament was a super-heavy thrash metal band from Pennsylvania. They formed in 1989, and played a style of thrash that was at times much closer to death metal. One could almost argue they were the first Christian band playing in the death metal style, and they wouldn’t be too far off.… Continued →

Michael W. Smith is back with a brand new song and music video for “Arms Around The Sun”. It’s a lively, 80’s synth drenched, classic sound but filled with a modern touch and Michael W. Smith’s unmistakable voice. The lyrics are fire and this is probably my favorite thing by him in years. It really reminds me of his songs at the height of the 80’s/early 90’s sound he had going. I didn’t expect this in 2025 but I’m so glad to hear it. Check out the music video below and listen to the song on all your favorite digital networks now!… Continued →

Along with the 80s alternative rock bands like U2, Midnight Oil, The Alarm, and Simple Minds, King’s X were the ultimate “Christians in a band” scenario. Despite numerous Christian labels and festivals trying to get the band on board, they always felt their audience was much wider. And yet, their lyrics always hinted at faith in bountiful ways. Musically, the band often functioned as a ‘band’s band.’ They were praised and recognized by members of Pearl Jam, and tons of others as an influence. They played a strange mix of classic rock, funk, heavy metal, and alternative in a unique concoction of progressive metal that predated genres like grunge, alternative metal and even post metal.… Continued →

Sev Statik (born Joseph Evans) is a hip-hop MC originally from Albany, NY. His credentials and discography run pretty deep. While most average listeners were first introduced to his music through his 2002 release on Uprok Recordings (a short-lived hip-hop label affiliated with Tooth & Nail Records), he had been active with Deepspace5 since 1996. The collective also included Labklik (featuring Listener), Ill Harmonics, and Mars Ill. Are you keeping up? To make matters even more confusing, Sev Statik has also recorded under the alias Stu Dent.… Continued →

The 90s was such an interesting decade for music in general, but for the Christian scene in particular. There was such a diversity of sounds and multiple genres exploding in all different directions from alternative to metal to punk to hardcore to hip-hop and electronica. Then even within each of these there was a multiplicity of subgenres all moving in different trajectories at the same time. It wasn’t uncommon to go to a gig in the 90s and see a ska band opening a show that also included indie rock and hardcore.… Continued →

The late, great Exeter Flud was an alternative rock from the Atlanta area, whose music danced around indie rock, emo, and shoegaze, but never fully committed to any of those. It’s not too surprising that the band had formal connections to other Georgia and Florida bands like Dear Ephesus, My Hotel Year, Vivian, and more. The roots of Exeter Flud were in Remnant, who released one brilliant 7″ single in 1995, “The Cloud/Dirge.” The songs were recorded while they were still in high school, and engineered by the masterful J.C.… Continued →

In the “I never thought that would happen” news department, official members of Tourniquet have reformed the band (sans drummer/composer Ted Kirkpatrick, RIP) recently for a few shows. Guy Ritter, Gary Lenaire, and Luke Easter are all currently performing together as Stop the Bleeding, as they don’t currently have legal rights to use “Tourniquet.” While not much is known about future plans, (and the band is being somewhat secretive) they are, however, playing a few upcoming shows of note. They’ll be playing in Sweden in March (with Extol’s David Husvik filling in on drums) and one in Versailles, OH at home of Immortal Fest, BMI Center, (with former Haste the Day drummer Devin Chaulk filling in).… Continued →

I love the old playful quote about the difference between knowledge and wisdom: Knowledge is knowing Frankenstein isn’t the monster. Wisdom is knowing Frankenstein is the monster! A similar thought could be applied to Norwegian band Royal: Knowledge is knowing Royal isn’t punk. Wisdom is know Royal is punk. If punk is about shedding notions of convention and rules, then Royal was as punk as they come. Royal blended genres like chefs blend fancy soups. They were simultaneously indie rock, jazz, post-hardcore, emo . . .… Continued →

When Applehead surfaced, sole member Greg Minier had already cut his teeth as axe-slinger in highly respected crossover thrash outfit The Crucified, and put out a one-off EP (as a solo project) of more straight-forward thrash under the simply-named Minier. Just as The Crucified was ending, the guitarist changed directions considerably and recorded a full-length album of grunge/alternative metal under the band name Applehead. In fact, the project’s debut album Meaning was one of the most authentic attempts at grunge in the Christian market. The album hit hard not only musically but lyrically as well, tackling subjects like alcohol abuse, struggles with sin, devotional inconsistency, and as the album title suggested, the search for meaning in life found via hope in the Creator.… Continued →

After vocalist Bill Walden left 4th Watch in 1987, he had no plans to pursue any other music. (For context, the recognizable crooner had also been the early singer for Undercover.) So, when The Mirrors (formerly Malcolm & the Mirrors) came asking Bill to join them, and then asked again, he was reluctant and uninterested. However, providence prevailed and it turned out to be a great move both for the band and for Walden himself. The band was definitely on the ministry side of things. In fact, three of the band members became pastors.… Continued →

J.C. Crew was a hip-hop trio that was a one-and-done situation. They released Serious Bizness on Pakaderm/Word (with mainstream distribution through Epic) in 1991, and then more or less disappeared. Nevertheless, there are a few notable things about the project. The album features a danceable, funky style of hip-hop that was common at the time, meant to rock the party. However, the rapping was actually quite good too. One of the members, Maximillian later released album Deeper than Most through N-Soul in 1997, after a season with T-Bone’s Organized Rhyme Crew.… Continued →

Elgibbor began as a solo project of Jarek (AKA “Fire,” also of Fire Throne) from Poland in 1999. Other band members have come and gone, and Jarek has since relocated to the United States. The outfit is incredibly prolific, having released 15 full-length albums since its inception, not to mention singles, EPs and other releases. The band’s name is taken from a Hebrew name for God, meaning “God Almighty.” An interesting approach is taken by the band in that each album features a slightly different take on the black metal genre.… Continued →

I wasn’t sure what to make of this band the first time I heard them. It was heavy, metallic hardcore, created in the era just before full-blown metalcore had become a thing. And the vocals were unlike anything I’d ever heard in hardcore before. The band hailed from southern California and were only active for a couple of years in the late 90s. They released a pair of demos, before releasing a devastating 4-song EP for fledgling Solid State Records, then-brand new sub-label of Tooth & Nail focusing exclusively on hardcore and metal.… Continued →

I just got wind of this new project called PADOVER that features the talents of Damian Horne of Silage fame. He emailed me and gave me info and I’m certainly glad he did. The band just released their new EP “Paper Catches Fire” and they want you all to give them a listen. I think a lot of old 90’s alt rock fans alongside all the latest and greatest from the past 20 years or so of modern music making will find something to appreciate in the music of Padover.… Continued →