Tag: Alternative Rock

Gable Price, frontman of the band Gable Price and Friends is featured this week on The Rumors Are True podcast. Known for blending introspective lyrics with a bold, genre-defying sound, Gable dives into the stories behind his music, the journey of starting a band, and the unexpected moments that have shaped his career. The band is known for blending rock, indie, and alternative sounds with lyrical depth that often explores faith, personal reflection, and life’s complexities. Fronted by Gable Price, the group has gained attention for their energetic style, introspective lyrics, and unique approach to discussing themes of spirituality without being overly preachy.… Continued →

Brilliant alternative rock band Model Engine (formerly Black Eyed Sceva) have posted a ‘new’ song recently. “Soapbox” was recorded in the late 90s as a possible addition to The Lean Years Tradition, or to be included on the follow-up album that never happened. The song showcases everything that was great about the band: rootsy, alternative, progressive, earthy, it’s all there. You can read the whole story about the rediscovery of the song on the band’s Bandcamp page, and also download the song for a mere 50 cents!… Continued →

Our friends over at The Rumors Are True podcast have reached an amazing marker of 100 episodes! To celebrate the milestone, founder Jeremy Alan Gould chose guitarist Jeff Schroeder for conversation. Jeff’s dense pedigree includes Christian indie projects like Lassie Foundation and the violet burning, as well as mainstream heavyweights Smashing Pumpkins. They discuss the differences and similarities in working in such vastly different projects, while Schroeder reflects on his current and perspective on the current state of the music scene. Click the link below to listen: The Rumors Are True 100th episode featuring Jeff Schroeder… Continued →

The Christian indie scene suffered a great loss last week, losing notable drummer Geoff Riley, known best for his immaculate time-keeping skills in the band Puller. The band was formed by Mike Lewis (ex-For Love Not Lisa, secular grunge/post-hardcore band), and hailed from Oklahoma. Mike posted the news of Geoff’s death, and some very poignant thoughts about Riley’s life and artistic contributions to the independent music scene via Instagram. Because it can’t really be said any better than this, I’m linking the post and including the entire text here: Geoff Riley Instagram Announcement “Hearing the news of my friend and music partner Geoff Riley passing is an overwhelming devastating loss.… Continued →

Most know Tommy Walter aka Abandoned Pools from the Tooth & Nail release. However, he released lots of music beforehand with the mainstream band Eels & the moniker actually stemmed from 2 other names before it involved into AP. This SOTD was actually the 3rd single released from the album of the same name. Abandoned Pools is currently working on their 6th release & their Kickstarter project started August 6th, 2024.  … Continued →

Alternative/folk/pop duo Say-So comprised married couple Jim and Kim Thomas. They had actually been making music together for over a decade when their eponymous debut was released in 1997 for Organic Records. The album featured a fresh take on folksy, rootsy, alternative pop-rock that was ‘light’ enough to appeal to fans of CCM, yet unconventional enough to appeal to listeners with more alternative-leaning tastes. The band’s sound sat comfortably with artists like Sixpence None the Richer (especially their earlier material), Rich Young Ruler, and Five O’Clock People.… Continued →

Indie pop duo Bon Voyage was a collaboration of Jason Martin (Starflyer 59, and about a dozen others) and his wife Julie on vocals. The project was somewhat accurately described as “Starflyer with female vocals,” which is not inaccurate though not really complete either. Whereas SF59 added layers and layers of guitars and fuzz, Bon Voyage stripped things back to the pop essentials. Julie’s vocals are akin to Julee Cruise, most famous for her work on the Twin Peaks soundtracks. The band released three albums for BEC and/or Tooth and Nail, and we haven’t heard from them since 2008.… Continued →

I’ve been a fan of Starflyer 59 since the affectionately titled “Silver” (officially self-titled) released in 1994. So when offered the chance to interview Jason Martin in advance of their new album Lust for Gold, I jumped at the chance. Always known for being brief in interviews, he still managed to be substantial in his correspondence. LH: The response to the new single “909” has been incredible so far, with many people commenting how the sound hearkens back to 90s-era SF59 with the later style of vocals.… Continued →

One of the elders of the Christian indie scene, John J. Thompson, has written a new book. Ballad of the Lost Dogs of East Nashville will be the third title from the author, and his first as a novel. Thompson had this to say about the book: This story is about how music brings a diverse community of characters together – after some profound personal and community tragedies – to accomplish something miraculous when they least expect it. It’s based upon people I have known and pieces of stories I have heard, and is set right here in the community I have called home for over 17 years.… Continued →

One of the funnest and most interesting aspects of the Christian indie/punk/metal/whatever scene is that no matter how long you’ve been involved and no matter how much of an expert you may think you are, there are always new–or in this case, old–bands to discover. I found out about The Living via our friends over at Christian Tape Underground, a blog that specializes in unearthing rare and underground cassette tapes and demos from indie bands of all genres. The Living was a great little post-punk/goth rock band with lots of potential.… Continued →

Kevin & Anita Robinson (Viva Voce, Blue Giant) had a short-lived funk/soul project called Francis, that released a split release with Lackthereof about 20 years ago. This project even opened for Fugazi once in North Carolina (talking about indie cred)! The band is releasing a new track (well, sort of)–actually an unreleased track from 2004, which will be available tomorrow (June 27) on Bandcamp or Friday (June 28) on other streaming platforms, thanks to long-time label partner Velvet Blue Music. Kevin is a Middle School teacher in Alabama specializing in Multimedia Production and some of his students created this video for the song.… Continued →

Let’s get this out of the way. Some of you hate U2 for one reason or another–the ‘pompous’ nature of the lead singer, the ‘self-importance’ of their message, the fact they had the audacity to include a free digital album to people who didn’t ask for it. Others of you will love U2–the ingenuity, the forward-thinking approach to a genre that was struggling when they reinvigorated with new life, and the sincerity with which they tackled a whole host of social issues. Then a few more will be indifferent to the band whatsoever.… Continued →

Every Day Life, commonly known as E.D.L., was an early innovator in the rap-core scene, fusing hip-hop and hardcore into something new, several years before it morphed into nu metal and became ubiquitous on rock radio. The band came from Southern California, and while musically innovative (our featured track also has a slight nod to industrial), they were also not afraid to touch controversial subjects in their lyrics, especially those related to racial relations in the United States, and other social topics and justice-related issues. Their debut album cover featured a scene from the L.A.… Continued →

Welcome to the 1990s, the decade of alternative rock, grunge, flannel, and a time when MTV still played music videos. While the Christian music scene had tons of alternative rock bands, few were as effective as Springfield, Missouri’s Johnny Q. Public. The band found the right combination of distortion, melody, noise, and big rock hooks (but not too big) to make a huge impact on the music scene. They released two albums, 1995’s Extra-Ordinary (for Gotee Records) and 2000’s Welcome to Earth, which was also on Gotee but licensed to the mainstream Roadrunner Records.… Continued →

Daniel Markham has just released a third video from his brand spankin’ new album Just Like a Dream. The Denton, TX-based multi-instrumentalist has crafted a powerful dreamscape that blends elements of power pop, classic rock, and alternative music straight out of the 90s. The album was recorded and mixed by acclaimed producer David Barbe (Drive-By Truckers, Son Volt, Deerhunter) at Chase Park Transduction in Athens, Georgia, in May 2022, and features Kris Killingsworth on the drums and Kyle Harris on the bass. It is his tenth (!)… Continued →

March 18, 2024, Santa Cruz, California. Minor Rockstar has released its new track “Rise” that builds off its recently released Wasted EP on Thumper Punk Records. Minor Rockstar’s latest track is an emotional reset on life, as it urges the listener to rise from darkness to light. I’m getting back all the things that were stolen from me A sense of hope, peace of mind and my dignity Was living life cast aside, down and pushed around I feel myself rising up now Rise up, rise up, rise up, rise Armed for war the goal is clear, no more fear In battle we march straight ahead, does anyone hear?… Continued →

As you’ve undoubtedly already read elsewhere, and seen all over the chrindie corner of the internet, Michael Knott died earlier this week. Much has been written about the man, the music, the iconic artist, so I don’t intend to re-tread any of that ground here. This is a Song of the Day post after all. Nonetheless it does seem fitting to use this week’s SOTD column to feature more of Knott’s work. He wrote and recorded so many incredible albums from the 1980s through the 2020s that it’s hard to pick a “best” or even a “favorite.”… Continued →

Texas-based indie rocker Daniel Markham is set to release a new full-length on April 5th, entitled Just Like a Dream. It will be released independently of a record label, as is his standard fare. The new material will add a heavy dose of power pop to his twangy alternative rock sound. He’s also released a super-fun new video for the lead single “Big Star,” a title which is surely a nod to the power pop greats themselves.… Continued →

World Theatre released only one album, the brilliant eponymous full-length, for Frontline-imprint Graceland Records in 1989. But the band’s credentials are deeper than that might suggest. Founder Tim McAllister (vocals, guitar, bass, programming) had previously been in another one-album-only new wave band called Flock 14. Jim Abegg (AKA Jimmy A, from Vector and more recently The Ascendants) provided some guitar work. Gene Eugene (Adam Again, Lost Dogs, hundreds of production and studio credits) mixed the album. And piano and keyboards (along with some additional bass guitar work) were provided by none other than Cincinnati’s own Linford Detweiler (this was pre-Over the Rhine).… Continued →

Tonio K. was one of those hard-to-classify artists. He employed elements of rock, alternative, new wave, singer-songwriter, and more. He was too alternative for the mainstream, but not quite weird enough for indie rock. Let’s just call it rock and roll, shall we? Born in Southern California, the son of Armenian immigrants (born Steven Krikorian), K began his career with garage rock band The Raik’s Progress (who opened for Buffalo Springfield), then played a stint with Buddy Holly’s band the Crickets, but he got his first real break with a publishing deal for Intersong.… Continued →

My favorite Christmas songs tend to be the traditional carols. Sure, I love a good cheesy secular holiday tune every now and then (“Let it Snow” anyone?), but I find the deep theology of the carols to be particularly meaningful, and therefore apropos for the season. Having said that, there are also some wonderful contemporary renderings of the traditional tunes. Viva Voce was an indie rock band, centered on wife-husband duo Anita and Kevin Robinson. Originally from Alabama, they transplanted to Portland, OR somewhere along their musical (and geographical) journey.… Continued →

This band has been around since the 90s, maybe even the late 80s, making brilliant folk/pop/rock/blues/adult alternative/whatever type music. They’re the sort of band that other musicians love to love. The core of the band is husband-wife duo Linford Detweiler on piano and Karin Bergquist on vocals. The rest of the band has been a revolving cast, and in the half-dozen times I’ve seen them live, roughly half of those have featured just the pair. They’ve always danced around the edge of whatever “Christian music” means, always dropping hints about their faith, but simultaneously distancing themselves from the industrial machinations of the Christian music industry.… Continued →

Poor Old Lu are/were one of the most celebrated alternative rock bands in the Christian scene. They hit at the height of the Christian indie scene in the 1990s, and formed a core unit of alternative rock bands that included The Prayer Chain, Plankeye, Starflyer 59 and a handful of others. Hailing from the Seattle area, the band also had close ties with others in the scene like Pedro the Lion, Damien Jurado, Blenderhead, and even Sunny Day Real Estate (vocalist Jeremy Enigk provided guest vocals on one POL track).… Continued →

Nautical-themed indie rock band Rusty Shipp are working on a new album. The band will be releasing Volume II of the Cosmic Innuendo story arc, following on from Volume I, entitled The Dark Side of the Ocean. There is a wide swath of reward packages ranging from $5 to $500, and from simply obtaining a copy of the album to actually recording with the band! An exciting addition at the $15 level includes a digital copy of a bonus live album recorded at AudioFeed 2023.… Continued →

British-born poet/artist/performer Steve Scott has been involved in or connected with Christian alternative music since 1983, having emerged from Croydon (South London) via the Bowery (New York City) before winding up in Sacramento, CA with the Exit Records scene there (Seventy Sevens, Charlie Peacock, etc.) where his debut album Love in the Western World was produced by Steven Soles (of Alpha Band fame). His solo work was a gleefully artistic take on new wave and/or post-punk with literate lyrics that pointed to his art school upbringing.… Continued →

This album came out last October, but I was only recently made aware of it when guitarist/vocalist Craig Phillips reached out for coverage, just before moving to Eurasia to work overseas. Although released on Roxx Records, Where the Wondering Got Us is a distinct departure from the label’s usual heavy metal roster. On the contrary, Puddleglum have a sound that revels in reminiscence of the 1990s. It’s what one might call ‘slacker rock.’ It’s fairly simplistic alternative rock, or maybe just rock and roll. The songs, musically speaking, feel lazy though not necessarily in a bad way.… Continued →

The Empty North is a new rock band that focuses on a sound straight out of the 1990s–grunge/alternative rock with an independent aesthetic. While the recording took place in Juneau AK, the band is comprised of members from Juneau, Portland OR, and Chicago IL. There are two tracks available for streaming now, and another will be available for streaming in a week or so. There are also split releases in the works with The Proper English, Australia-based NoiseArt Collective, and Robochill. For now, check out “Appendage Angles,” a song based on the personal testimony of founding member Justin William Price (The Proper English, ex-Cicero).… Continued →

I was listening to my old Live at the Strand CD recently. It’s a compilation of artists who played at the legendary Strand Theater in downtown Marietta, GA, just outside of Atlanta. It had been years since I heard the CD and only remembered a few of the tracks on there, and then this absolute banger came on! I looked through all of their albums to see which one it came from, so I could find the studio version to feature here, but I couldn’t find it.… Continued →

California band Minor Rockstar just released a five song Wasted EP today through Thumper Punk Records. The band feature a style of rock-n-roll that blends 90s alternative with a touch of punk rock. Their debut single “Wasted” can be streamed at: https://youtu.be/IToO7F8X5gk The full release can also be streamed or downloaded via the Thumper Punk bandcamp page: https://thumperpunkrecords.bandcamp.com/album/wasted… Continued →

While I was first introduced to Sally Grayson formally in 2020, during the covid-quarantine era, it turns out that I had already heard versions of her music many years prior. She’d fronted Black Swift (based in Germany where Grayson transplanted) for a number of years, but long before that she was in Michigan-based (her native homeland) Standbye, an emo/indie rock band by whom I owned a CD. All that to say that while Sally’s name may not be familiar to the masses, she’s been making credible musical art for well over two decades now.… Continued →