Tag: Alternative Rock

A rising indie band from Nebraska called Salt Creek, made a lot of waves and significant buzz on the underground scene for a number of years and they just earned their spot among a lot of great bands on legendary Seattle based label – Tooth & Nail Records. The label just released the band’s label debut EP titled “Our Own World”, through all digital networks and streaming sites. Give it a listen and comment with your thoughts. For fans of Basement, Balance and Composure, Teenage Wrist, Superheaven, and Citizen.… Continued →

When I first heard this song, I was diving in the “alternative rock” scene & my musical overfilled mind was whirling from all this weird music that was not like the Petra’s or White Hearts I had grown up listening to. There were so many linked bands to this project such as Fluffy (check my review on Guitars Guns & Girls!) & Duraluxe which was formed with Hoi Polloi’s Troy Daughtery to name a couple. Check out the www.knottheads.com website for more info. It was hard to choose between this SOTD & Icky & Cavewoman so check them out also.… Continued →

Veil of Ashes was a college rock band from Oakland, California, who debuted with the critically-acclaimed album Pain on Graceland Records (an imprint of Frontline) in 1989. While they had started out as a post-punk outfit with goth leanings, most of that influence had faded by the time their debut hit. A second album The Young and the Reckless: The Regression of Veil of Ashes was released on Blonde Vinyl in 1992, but it was actually a retrospective release of earlier demos. That same year the band shortened their name to Veil and released their final studio album (before taking a long hiatus and re-forming in the late 90s) Mr.… Continued →

Welcome to what is probably the most underrated album in Christian alternative music history. The problem is largely that it just wasn’t heard by enough people. This Pennsylvania band comprised one third of the ‘holy trinity’ of Christian jangle pop, rounded out by Virginia’s The Throes and Minnesota’s The Swoon (coincidentally all band names beginning with the definite article). They released their one and only album, not counting their independent demo cassettes, through Talkingtown (also home of metal band Armageddon) and co-released through R.E.X. Indianland is a real slow-burner of an album.… Continued →

I’m really hesitant to do this, but I’m gonna lay it on you. I’ve been a fan of music for well over 40 years. Narrowing down a favorite anything is really difficult. My list of favorite songs probably numbers near 1,000, and that’s just favorites, not all the songs I ‘just like.’ But, most days, if you ask me my favorite song of all time, it’s this one. The Seventy Sevens have had an extremely long career, with roots going as back as the late 70s/early 80s in a Sacramento church-based band called the Scratch Band.… Continued →

The funk-punk and funk-metal scene(s) rose quickly in the early 90s and then disappeared just as quickly. At one point, it was looking to be the next big thing, but as a genre it never dominated alternative rock as it once looked like it would. In fact, aside from Red Hot Chili Peppers and Jane’s Addiction, few in the general market ever made it big, even though bands like Fishbone and 24-7 Spyz were just as talented. However, the fusion/hybrid genre did help pave the way for other crossover genres to gain steam, particularly third wave ska (with its derivatives ska-punk and ska-core), rap-core, and industrial metal.… Continued →

First things first–merry Christmas everyone! It’s been a challenging year, and many of us are ready to see the back of it. I always post my Song of the Day picks on Friday, so I was pleased to the lucky draw for Christmas Day! Of course, it had to be a Christmas song, and there are lots of good ones to choose from, even from our niche scene. For those unfamiliar with Adam Again, they have deep roots in the Christian music scene. They started out in the California scene of the 1980s through Broken Records and later Brainstorm Artists.… Continued →

From the opening riffs of opener “Armadillo”, you know this is going to be something interesting—dual harmonic guitar riffs in fuzzy tones. Vocals reflect Markham’s alt country background, but this is clearly a rock record. His bio claims he was trying to return to the hard rock and heavy metal that made him happy as a child, and while that is certainly a tangible presence, it’s filtered through his alternative consciousness. It’s like the rock era of Starflyer 59 where they essentially wrote doom metal riffs but set them into the context of shoegaze songs.… Continued →

There used to be a fairly well-known release formula for SF59. Step one: release full-length album. Step two: release EP of similar material within the following year (or even later that same year). While the formula has been tweaked over the years, it still more or less holds. Whereas She’s the Queen was the counterpart to Silver, Miami functions that way for Young in My Head. Although there are some stylistic—and more noticeably, lyrical—differences, any of these songs probably could have been on Young in My Head.… Continued →

Power pop was (is?) a strange phenomenon. Despite the big hooks, melodic overtones and just enough of a punk edge to keep things interesting, it never really caught on in a huge way. Although it’s made inroads into new wave and, more recently, indie pop, the leaders of the subgenre still remain fairly underground, with a few notable exceptions (Cheap Trick and The Romantics are among the few artists with major radio hits). It should be no surprise then, that in Christian circles, artists in the style were even fewer.… Continued →

Mad at the World went through at least three distinct phases throughout their history, which impressively spans across 4 decades: synth-pop/new wave, hard alternative rock/metal, and retro rock/alternative. We’ve already featured a song from their synth-pop era, and here’s one from their hard alternative phase, but one that interestingly enough hints at their retro phase that would be unleashed in 2 more albums’ time. Both of the songs I’ve chosen from the Rose brothers have spoken words of encouragement to me when I needed them. Let’s face it: 2020 has largely been crap.… Continued →

I had this song on my mind the other day as I was thinking about what song I was going to choose for this week. The modus operandi: Ruminate on a song and make a choice. Find it on YouTube. Listen while I’m writing. Dang. I’ve loved this song for years, but was still surprised at how good it sounded more than 2 decades after it was recorded. I highly recommend headphones! This song has so many layers. So many things that make it great. It’s difficult to know where to begin.… Continued →

Not much is known about this band, who released one album for major label Curb Records in 1997, called Yours Truly. They played a fairly straight-forward brand of alternative rock that hinted at grunge without ever fully going to Seattle. The lead single was “Low,” with its provocative chorus: I’m wasted! I’m wasted! I’m wasted . . . without You!” While the song might have raised eyebrows among critics of faith-based rock music, the lyrics hit home for some. I remember playing the song for a friend of mine, who at the time was not a fan of anything hard or heavy.… Continued →

Many people nowadays have a love-hate relationship with worship music. It can sometimes be too simplistic, or based on shallow theology, yet believers have a real desire to connect with the Lord through music. The so-called Modern Worship movement has both helped and hindered this process. While it’s outside of our purposes here to give an overview of the practical, musical, and theological ramifications of modern worship music, let’s take a look at an early innovator. the violet burning (lower case intentional) started out as a hard-edged alternative rock band with both goth and post-punk tendencies.… Continued →

Jangle Pop. While the term might not mean much to most listeners today, it was the dominant form of alternative rock (on both sides of the Atlantic) in the late 80s to early 90s. As 70s punk gave way to 80s new wave and synth pop, underground bands were looking for more earthy sounds, moving away from sythesizers and often including acoustic guitars and instruments borrowed from folk rock. There was less emphasis on the lead guitar licks of glam metal and arena rock, and more emphasis on jangly guitar rhythms, hence the name.… Continued →

Grandpa Loves Rhinos are back with a brand new single titled “Gimme, Gimme”. The song will release at Midnight tonight through all digital networks and streaming sites. The track is an energetic pop-punk inspired jam full of those unforgettable hooks and melodies the band has become known for. The message is geared towards those that are obsessed with the material treasures in this lifetime and being consumed by them. You can find the single for sale on Bandcamp tonight and remember, all purchases made on IVM Bandcamp tomorrow will be without fees to bandcamp.… Continued →

We are proud to bring you a brand new song stream from independent artist, Collington. Check out the song “Against The Wall”, below. This excellent single is now available wherever you find fine digital music. Recommended for Fans of: Switchfoot, Needtobreathe, Walk The Moon, Foster The People, and The Fray.… Continued →

Another album celebrating it’s 10 year anniversary is “Dark Is the Way, Light Is a Place” by the world renown alternative rock band, Anberlin. This Brendan O’Brien produced full length effort (their 5th album by 2010) was a slight departure from the sunny, bright, more upbeat sounds of their commercial break through record, “New Surrender”. One of the stand out highlights from this album was definitely “Pray Tell”, with it’s thundering drum intro and light guitar strumming mixed with Stephen’s unforgettable vocal contributions.… Continued →

Indiana based Pop-Rock band – Winona Ave, just dropped a brand new song and music video for “Masterpiece”. This anthem for those seeking hope and finding meaning in their own self-worth will be delighted by this new song. Hopeful music for times that call out for it. Check out “Masterpiece” below. For fans of: All American Rejects, Hawk Nelson, Mayday Parade, and All Time Low.… Continued →

Hawaii based pop-punk/alternative Rock band, PSPAZZ, has finally posted their 1996 Brainstorm International debut album “Missile Toe” on all digital networks. This fun, sun inspired, little goofy pop-punk album of the 90’s is sure to delight old fans and fans that have never ever heard of these guys. For fans of old Blink 182, NOFX, Sponge, Jane’s Addiction, Weezer, Home Grown, Weird Al, and MXPX. Check it out below.… Continued →

Mad at the World has had a very interesting and diverse career as a band. They started out doing somewhat dark synth-pop on their self-titled debut (in the vein of Depeche Mode, New Order, Clan of Xymox), then added guitars to their new wave sound for Flowers in the Rain. By their third album, they ditched the synths and morphed into a full-fledged alternative rock band with metallic influences. This carried on for three albums (Seasons of Love, Boomerang, and Through the Forest).… Continued →

After releasing last year’s opus Young in My Head, Starflyer 59 are already back. The veteran indie rock band have just released a new single, “This Recliner” and boy oh boy is it good! Fueled by inspiration from the best of his 80s new wave AND shoegaze influences (The Church, Psychedelic Furs, Jesus and Mary Chain, et. al.), the man truly knows how to write a pop song. Sometimes I think his skill lies in brevity. Rather than dragging stuff out, founder Jason Martin always leaves you wanting just a little bit more.… Continued →

We are proud to bring you a brand new song premiere from the Birmingham, AL. based alternative-pop-punk band known as Audiophile. They are a newer band with an incredibly catchy sound that would appeal to fans of The All American Rejects, Relient K, Weezer, All Time Low, Mayday Parade, Neck Deep, TwentyOnePilots, and Capital Lights. This new song, “The Coast” will release on May 15th to all digital networks. Check out the song below and the band here on facebook or instagram.… Continued →

You’re probably tired of hearing it, but these are strange times we’re living in. How could any of us have been prepared for the reality in which we find ourselves? I don’t know about you but I’ve read a lot of dystopian fiction and watched a ton of post-apocalyptic films. Neither of them are all that helpful in our current scenario. But you know what is helpful? Hope. Friendship. Solidarity. Though the song touches on a depressing topic, it is ultimately these themes that emerge. Listen to the urgency with which Steve Taylor croons: If it all comes true And our dreams fall like bombs from the blue Oh!… Continued →

Along with L.S.U. and the Altar Boys, another band that was really influential in getting me into alternative music (as opposed to straight metal and thrash of my teenage years) was Breakfast with Amy. Their debut album had enough punk rock influence to appeal to that side of me that wanted noise and aggression, but there was more to their sound than just loud, fast, and angry. There were also these weird, angular, noisy expressions and interesting metaphors about the faith that I wasn’t hearing anywhere else.… Continued →

I suppose that the first time you hear a band forever affects the way you think or feel about them. Although Undercover already had a long history behind them when I first heard them in 1990, I was completely unaware of it. I didn’t know the huge impact they’d made in the Christian alternative and punk scene in SoCal through Calvary Chapel, Ministry Resource Center, etc. through groundbreaking albums like God Rules and Branded. They had already morphed from a bubblegum-punk/new wave sound to darker, post-punk tones across the span of 4 albums.… Continued →

L.S. Underground (AKA LSU, L.S.U. LifeSavers Underground, Lifesavers, Lifesavors) have been doing alternative music in various forms since the early 80s. “The Grape Prophet,” originally released on Blonde Vinyl in 1992 was a concept album full of nuance and metaphor representing a young man’s journey looking into what was deemed a potentially dangerous Christian cult. Dark and brooding, the album has often been hailed as the band’s magnum opus. The original release is tremendously difficult to obtain, in large part because a vast shipment of units got somehow lost in transit.… Continued →

In the late 80s/early 90s I was a straight-up metalhead. Thrash was my favorite variety, but I dipped into other stuff as well. But I had started developing a taste for punk too. The pace and beat of hardcore punk was actually very similar to thrash, but with different guitar tones. Bands like Nobody Special, The Lead, The Crucified, and even Breakfast with Amy opened me up to new possibilities in edgy music. Then along came the album Poplife by the Lifesavers. I’d only been into Christian rock since ’88, so I knew nothing of Michael Knott’s history (or the many other incarnations and alter-egoes of his various projects).… Continued →

RED are back with a brand new Ep which includes a cover of the classic Fuel song “Hemorrhage (In My Hands)”. “The Evening Hate” Ep is out November 1st and first single “From the Ashes” heads to radio October 25th. Listen to the cover track, Read the full press release about the EP and upcoming tour dates with In Flames, below.… Continued →

Lo-fi indie rock never made a huge impact in the Christian scene. To be fair, it was a niche market even in mainstream circles. Beck and R.E.M. were the only 2 artists to break out of the underground, and both of those bands more or less ditched their lo-fi roots to do so (Beck only temporarily). I can only think of a handful of Christian-themed lo-fi bands: Jetenderpaul, Danielson Famile, Pedro the Lion (early stuff), Sappo, Joe Christmas, and some early Damien Jurado projects. Enter Jupiter James.… Continued →