Tag: baroque pop

Everyone’s favorite quirky pop musical genius returns with five songs. Having done stints with Fold Zandura, Lassie Foundation, and Cush, Lenz has ventured out solo since 2001’s Hot Stuff. So what’s it like? This is pop cynicism at its finest. Sugary sweet pop melodies with some of the most bizarre and quirky lyrics yet. Is Lenz Scottish? Because this is right up there with Belle and Sebastian or early Teenage Fanclub. Then again, this EP is hard to peg for so many reasons (yes, the release title is ironic).… Continued →

Honestly I think this is a song that only Half-Handed Cloud could write. Aside from the ever-present pop bliss is a song about a baby trying to reach shiny Christmas ornaments that are out of reach, and yet so desirable. But Ringhofer makes a point that only he could make, about humanity’s incessant need to grasp for shining things that are always slightly out of reach and that we really don’t need after all. Merry Christmas IVM friends–may you find the true joy of Christmas this year–the baby in the manger!… Continued →

For my Song of the Day this time round, we’re going back. Like way back. To the beginning of Jesus rock. It’s widely accepted that Larry Norman is the “godfather of Christian rock” and you can make a reasonable case for that. But he wasn’t the first. Several other bands and artists were contemporary with him, including Liverpool’s own The Crossbeats, Agape, and the All Saved Freak Band. Arguably the first rocker, Sister Rosetta Tharpe, was also a Christian and a gospel artist, plugging in her electric guitar long before Bill Haley and the Comets set on the scene.… Continued →

Here’s the thing . . . Sufjan is incredible. Whether or not you like his music, one has to acknowledge the astounding amount of talent the guy has. To me, he is the musical equivalent to the literary Tolkien. What I mean is this: somewhere in the deep recesses of their brains, the creative impetus for all those ideas already existed. For Tolkien it was a myriad of languages, races and lands–each with their own histories and storylines. For Stevens, it’s his complex musical compositions alternately cloaked in folk, electronica, and baroque hues.… Continued →