Tag: Brainstorm

This folk/alternative/roots supergroup emerged in the early 90s as prominent members of four huge Christian bands came together in a new way altogether. Michael Roe of the Seventy Sevens, Terry Scott Taylor of Daniel Amos, Gene Eugene of Adam Again, and Derri Daugherty of the Choir joined their songwriting, playing, and singing skills and released the brilliant debut Scenic Routes in 1992. The album was an amalgamation of all things Americana: folk, country, gospel, bluegrass, blues, and rock and roll all coming together with an alternative tinge.… Continued →

SoCal rapper Peace 586 (born Rene Vasquez) has been hitting the hip-hop game hard since the late 80s (first as M.C. Peace), as a member of the seminal and innovative Freedom of Soul, and through numerous collaborations with artists like S.F.C., Jon Gibson, Scott Blackwell, J.C. and the Boyz, and many others. He went solo following the break-up of Freedom of Soul and released his first solo album in 1996. As impressive as that is, what’s even more impressive is the fact that he’s still been active as recently as 2023, releasing a full-length solo album on his own label.… Continued →

The most legendary holy hip-hop cipher of them all? Perhaps. Tunnel Rats’ debut Experience (1996) was truly mind-blowing. It’s one of those rare albums where the line between art and artist was completely blurred, if it even existed in the first place. The lyrics (as well as the passion behind them) reflected absolute love of hip-hop music and culture, and absolute love of God and his Gospel. Very few artists, very few albums or artistic endeavors reach that climax of full integration where neither the message nor the artistic medium was compromised in any way whatsoever.… Continued →

There is simply not enough hip-hop on this site. Let’s fix that! I grew up in a small, very monochromatic town in Oklahoma, where most of the people had my skin color. In that part of the world, there were two kinds of music–country and heavy metal. In the 80s, a few of my friends who were more hip had started getting into this new “rap music” that I knew very little about. But growing up in a country-western family and then discovering rock on my own, I wasn’t really predisposed to listen to rap.… Continued →

The funk-punk and funk-metal scene(s) rose quickly in the early 90s and then disappeared just as quickly. At one point, it was looking to be the next big thing, but as a genre it never dominated alternative rock as it once looked like it would. In fact, aside from Red Hot Chili Peppers and Jane’s Addiction, few in the general market ever made it big, even though bands like Fishbone and 24-7 Spyz were just as talented. However, the fusion/hybrid genre did help pave the way for other crossover genres to gain steam, particularly third wave ska (with its derivatives ska-punk and ska-core), rap-core, and industrial metal.… Continued →

I suppose that the first time you hear a band forever affects the way you think or feel about them. Although Undercover already had a long history behind them when I first heard them in 1990, I was completely unaware of it. I didn’t know the huge impact they’d made in the Christian alternative and punk scene in SoCal through Calvary Chapel, Ministry Resource Center, etc. through groundbreaking albums like God Rules and Branded. They had already morphed from a bubblegum-punk/new wave sound to darker, post-punk tones across the span of 4 albums.… Continued →

Bloomsday’s debut “The Day the Colors Died” was brilliant, if a little disjointed. The trio ambitiously covered indie rock, shoegaze, jangle pop, slow-core, lo-fi, and emo all in the span of 10 songs. Amazingly, 20+ years later it still holds up. But it was their second release, this time an EP, that really caught listener’s ears and held them in a death grip. It was much more focused this time around–emotionally charged indie rock that somehow managed to merge emo and shoegaze into a singular, cohesive unit that was both of those things and yet neither of them entirely.… Continued →