Tag: gospel music

Let the debate be finished, and let this be the final word: Sister Rosetta Tharpe was the first Christian rock artist ever. Decades before Larry Norman, or even his English predecessors like The Crossbeats or The Pilgrims, Tharpe was writing and performing a new take on Gospel music, utilizing skillful guitar playing and innovating techniques that were used by hundreds of others after her. In fact, it is likely that Tharpe is not only the first Gospel rocker, but the first rock-and-roll artist period, with her early material being created as early as the late 1930s, more than a full decade before Bill Haley and the Comets released “Rock Around the Clock” or Chuck Berry was instructing Johnny on how to B.… Continued →

For the remaining weeks of February, I’ll be focusing on African-American contributions to independent Christian music, in celebration of Black History Month. Both rock and roll in general, and Christian rock/indie/whatever music owe a huge debt to the African-American experience. In fact, it’s nearly impossible to overstate this. Andrae Crouch is one of the most influential Gospel artists of all time. In fact, he has often been known as the “father of modern gospel music.” And while the connection between traditional Gospel music and Christian indie/punk rock might not be obvious, it’s not as distinct as one might think.… Continued →

I had fully intended to cover something punk today, when I began listening to some old traditional Gospel for a project at work (I’m an associate pastor at a diverse, inner-city church). I was reminded of a Gospel song I first heard in the early 1990s when I was a member of a Gospel choir at my college. Yes, little ol’ white boy me, metalhead/punk rocker. In fact at one point in time I had a 4-inch mohawk while I was in this Gospel choir, but I digress.… Continued →

Some of you are going to hate me for including this (what?!? country music on IVM?!?) Others of you–maybe only a few–will recognize the importance this type of music played on the development of both rock and roll (which somewhat ironically owes a huge debt to country music), as well as to contemporary forms of Christian music, because of the strong relationship between country music and Gospel music in the middle part of the last century. Brothers Ira and Charlie Louvin began playing and singing together in the 1940s in their home in Alabama, and later branching out to nearby Tennessee.… Continued →