Tag: jangle pop

Early 90s indie pop darlings The Swoon have just released a new version of a long-lost track from 1990, originally released on a demo cassette. The band have premiered “Army of Plenty” on YouTube, and have been hinting at the possibility of a new release in the near future.… Continued →

Blonde bombshell Windy Lyre appeared seemingly out of nowhere in 1991 with her self-titled debut on Blonde Vinyl Records. Truth be told her connections to alternative Christian music ran deep, but on a personal level, which is not appropriate to go into here. The album was a refreshing display of acoustic alternative, which hinted at folk rock, jangle pop, and in a way preceded the dream pop/alt country craze that swept the middle part of the 1990s and beyond. Lyrics and music were all written by label owner Michael Knott (LSU, Lifesavers, Aunt Bettys, etc.)… Continued →

Warning: this is a perfect pop song. If you haven’t ever heard one, brace yourself. The simplicity of pop, yet the nuance of alternative music. Lyrics that long for something deeper, more meaningful in life, reflected in the writer’s interaction with art . . . Words that form a sentence Words that form a phrase In a poem, or a letter Could not convey the meaning Of what this man has done In a painting, on a canvas Bear in mind these guys wrote most of their debut album when they were still in high school.… Continued →

Perhaps better known as the bassist/vocalist of hardcore punk cum crossover thrash band The Lead, Nina (full name Nina Llopis) released her debut album No Shadow of Turning for R.E.X. Music in 1991. As my friend and fellow fan Tim “Greybeard” Henderson (ex-Warlord) said, “This is a perfect example of 1991 music!” He’s so right. The album had hints of goth rock/post-punk, alternative rock, and jangle pop–a description which doesn’t make logical sense unless you lived through the early 90s. Musically similar to other early 90s female-fronted alternative bands like The Darling Buds and Concrete Blonde, the effort was a huge departure from her previous material with the hardcore/thrash band from which we’d come to know her.… Continued →

This band was the epitome of one of those all-too-common scenarios in 90s Christian music: the frustratingly great one-album wonder. Driver Eight released Watermelon via Tooth and Nail Records in 1996, to high acclaim from fans and critics alike, and then disappeared into the . . . well, that’s just it–we don’t know what happened! The album featured a highly-effective mix of alternative rock styles including Britpop (even though the band was American), quasi-shoegaze, and jangle pop. It seemed that they were channeling equally such disparate influences as Smashing Pumpkins, Catherine Wheel, R.E.M.,… Continued →

It’s amazing how one can listen to music for years, decades even, and still find an obscure gem from days gone past that was missed out. Vancouver’s Cannon Heath Down only released one album: 1987’s Heart-Throb Companion (and a cassette demo 2 years later). The self-produced album was only released on LP, and its stellar take on indie pop will appeal to fans of The Ocean Blue, Morrissey, Game Theory, Riverside, The Mighty Lemon Drops, etc. The album fetches top dollar too, as I’ve seen copies listed at triple digits.… Continued →

Welcome to what is probably the most underrated album in Christian alternative music history. The problem is largely that it just wasn’t heard by enough people. This Pennsylvania band comprised one third of the ‘holy trinity’ of Christian jangle pop, rounded out by Virginia’s The Throes and Minnesota’s The Swoon (coincidentally all band names beginning with the definite article). They released their one and only album, not counting their independent demo cassettes, through Talkingtown (also home of metal band Armageddon) and co-released through R.E.X. Indianland is a real slow-burner of an album.… Continued →

Don’t you hate it when an amazing band releases one stellar album and then disappears off the map leaving virtually no trace whatsoever? That’s more or less what happened to Minnesota’s The Swoon. This intelligent, artsy, literate (one of the band’s song titles is a Dante reference) band made up one third of Christian jangle-pop’s ‘holy trinity’ (also including The Throes and The Walk). Their debut album was released on Narrowpath Records, in conjunction with Refuge (the obscure indie label also released such classics as debuts by Breakfast with Amy and The Crucified), and was made up of two earlier cassette-only demos, ben son, ben son Beatrice and Neverland, the latter of which was produced by Charlie Peacock.… Continued →

Jangle Pop. While the term might not mean much to most listeners today, it was the dominant form of alternative rock (on both sides of the Atlantic) in the late 80s to early 90s. As 70s punk gave way to 80s new wave and synth pop, underground bands were looking for more earthy sounds, moving away from sythesizers and often including acoustic guitars and instruments borrowed from folk rock. There was less emphasis on the lead guitar licks of glam metal and arena rock, and more emphasis on jangly guitar rhythms, hence the name.… Continued →

You’re probably tired of hearing it, but these are strange times we’re living in. How could any of us have been prepared for the reality in which we find ourselves? I don’t know about you but I’ve read a lot of dystopian fiction and watched a ton of post-apocalyptic films. Neither of them are all that helpful in our current scenario. But you know what is helpful? Hope. Friendship. Solidarity. Though the song touches on a depressing topic, it is ultimately these themes that emerge. Listen to the urgency with which Steve Taylor croons: If it all comes true And our dreams fall like bombs from the blue Oh!… Continued →