Tag: jazz fusion

Alright, you’re gonna need to buckle up for this one. For two reasons: 1) Koinonia has a somewhat lengthy history, and the band’s members are/were probably more connected than any other band ever in contemporary Christian music; and 2) they were a jazz fusion band, which is probably not a genre most IVM readers are astutely familiar with. The band formed in 1980 and were active throughout that decade before disbanding in 1991. While the members were Americans, several of whom were of Latin/Hispanic descent, their music was more widely-known in Northern and Western Europe where they often played to sold out crowds.… Continued →

Havalina Rail Co. was a delightfully quirky, eccentric, genre-fusing and genre-bending experimental band from California. Across their 10-year career (give or take), the band dabbled in folk, ska, jazz, ragtime, blues, Americana, surf, and multiple internationally-themed genres. No two albums in their canon treads the same ground, and yet each successive opus is clearly recognizable as Havalina. The band stopped recording as HRC somewhere in the early 00s, but members have turned up elsewhere. Most notably are Matt Wignall who is a renowned photographer and is perhaps now best known as the producer for several Cold War Kids albums.… Continued →

Contemporary Celtic band Iona have been making music since their eponymous debut released in 1990. Fusing traditional Celtic folk instruments (flutes, whistles, bodhran drums, etc.) with jazz and progressive elements caused them to stand out from their other contemporary Celtic peers. Albums from the band commonly featured worshipful tunes (“Treasure” for instance, from their third album Beyond These Shores or “Revelation” from the second one, Book of Kells), traditional Scots-Irish tunes, as well as lengthy instrumental songs, or instrumental sections within songs. One of the most stunning examples of the latter is “Bi-Se I Mo Shuil” (Irish Gaelic for “She is My Eye”), from their fourth album Journey into the Morn.… Continued →