Tag: star song

One of Christian metal’s most prominent acts during the genre’s Golden Period (roughly 1986-1992), Barren Cross rocked a traditional heavy metal sound, managing to stay both heavy and melodic without ever succumbing to glam on the one hand, or thrash on the other. The band released 4 full-length studio albums, a live album and a handful of singles & EPs before calling it quits in the mid-90s. A pair of compilations appeared in 2007 and 2014, respectively. Members (especially vocalist Mike Lee) have been active in a number of other projects including Barebones, Michael D.R.I.V.E.,… Continued →

Okay, Mylon LeFevre is a stretch for inclusion on Indie Vision Music. But hear me out. He wrote a hit song for Elvis Presley in 1964, “Without Him” for the king’s Gospel album How Great Thou Art. He was only 17 when he wrong the song (in 20 minutes according to the songwriter), and was paid $90,000 for it. He walked out with a paper bag full of cash and bought his first car, a Corvette. His connection to Gospel music came earlier, as he performed with his southern gospel singing family The LeFevres.… Continued →

Rap music in the early 90s was making huge breakthroughs into both mainstream pop music and Gospel music, all the while splintering into dozens of subgenres: gangsta rap, new jack swing, Miami bass, among the most prominent. Tulsa locals D.O.C., AKA Disciples of Christ were fluent in the Philadelphia-based new jack swing sound, a combination of hip-hop, urban contemporary pop, and R&B/soul sounds. Alton Hood and Kevin Harvey met in college before they knew the Lord. Having dabbled in the party lifestyle, and even in the occult, they turned their lives over to Christ through a miraculous intervention of God.… Continued →

Synth-pop is sort of the illegitimate child of alternative rock and disco. Although it’s not obvious, its roots like in experimental forms of music like krautrock and post-punk. As new wave splintered further and further away from punk, and added more and more synthesizers, synth-pop was being birthed. In the mainstream, acts as diverse as Kraftwerk, New Order, and Pet Shop Boys were solidifying the sound. I loved 90s synth-pop, or simply “techno” as we called it then. It was fun and danceable, dark and poppy, all at the same time.… Continued →