Tag: Terry Taylor

This folk/alternative/roots supergroup emerged in the early 90s as prominent members of four huge Christian bands came together in a new way altogether. Michael Roe of the Seventy Sevens, Terry Scott Taylor of Daniel Amos, Gene Eugene of Adam Again, and Derri Daugherty of the Choir joined their songwriting, playing, and singing skills and released the brilliant debut Scenic Routes in 1992. The album was an amalgamation of all things Americana: folk, country, gospel, bluegrass, blues, and rock and roll all coming together with an alternative tinge.… Continued →

I’ve said it before and I’ll say it again, Sin Disease is one of the greatest albums ever to emerge from our scene. Romald Domkus (born Allan Aguirre) and company unleashed a wonderfully chaotic debut album, with production from Terry Taylor (DA/Daniel Amos/Swirling Eddies/Lost Dogs) that set CCM on its head! Think I’m overstating things? Not possible. Here’s why: have you ever tried to pigeonhole the album, or this band, into a single genre? Good luck. Take equal parts hardcore punk, reggae, goth, glam rock, and heavy metal, and then top the whole thing off with a weird experimental noise track lasting over 7 minutes long.… Continued →

I’m sure a few of you have been wondering when I was going to eventually get around to covering this important band. Well, wait no longer. Mortal’s roots were in a similarly-named synth-pop project called Mortal Wish. While that version of the band showed promise, it only hinted at the greatness that was to come after a minor name change and a huge change in direction. (FYI: downloads of 2 different Mortal Wish demos are available online if you know where to look for them!) The mysteriously-titled (Lusis means “freedom”), dark and brooding debut hit stores in 1992 via Intense Records, the first in the industrial genre for the otherwise exclusively metal label.… Continued →